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2983 lines
125 KiB
Plaintext
2983 lines
125 KiB
Plaintext
SOURCE: /mnt/d/GoogleDrive/Cercetasi/carti-camp-jocuri/Cub Scout Leader How-To Book.pdf
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CONVERTED: 2025-01-11
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==================================================
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--- PAGE 1 ---
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Cub Scout Leader How-To Book
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SucceSSful IdeaS to add fun and excItement
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to den and Pack actIvItIeS
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--- PAGE 2 ---
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33832A
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ISBN 0-8395-3832-4
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© 2001 Boy Scouts of America
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2007 Printing
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--- PAGE 3 ---
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C
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ConTenTS
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Introduction
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1. Accentuate the Positive
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How to celebrate achievements, special
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events, and boys’ good behavior.
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2. Crafts
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How to make anything and everything.
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3. Games
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How to choose and play games of every
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shape and kind.
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4. Outdoors
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How to enjoy the outdoors, from hiking to
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campfires.
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5. Razzle Dazzle
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How to jazz up any meeting.
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6. Special Pack Activities
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How to organize and host everything from a
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blue and gold banquet to a pinewood derby.
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7. Cub Scouts With Special Needs
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How to help Cub Scouts with special needs
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succeed.
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Resources
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Index
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--- PAGE 5 ---
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Introduction
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• How do I plan a skit for next month’s pack
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meeting?
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• How do I find a new game—that can be played
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indoors?
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• How do I make papier-mâché?
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• How do I make a hike interesting to my den?
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• How do I plan the blue and gold banquet?
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• How do I help make my Cub Scout with spe-
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cial needs more successful?
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• How do I make pack meetings more upbeat?
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You’ll find the answers to these questions and
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countless others within the covers of this book.
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The Cub Scout Leader How-To Book has been
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written for den leaders and Cubmasters across
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the country. The tested suggestions you’ll find
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for games, crafts, skits, applauses, songs, and
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more will add fun and sparkle to all your Cub
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Scout meetings and adventures.
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Used with Cub Scout Program Helps, the
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Webelos Leader Guide, and the Cub Scout Leader
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Book, this book will enable you to plan den and
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pack programs that will be fun for everyone.
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And while boys are having fun, they will be
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learning, advancing in rank, and strengthening
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relationships with one another. That’s what Cub
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Scouting is all about.
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--- PAGE 7 ---
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1
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ACCenTuATe
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THe PoSITIve
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The Purposes and Methods
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of Cub Scouting and
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Ideals of Scouting 1-1
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Highlighting Advancement 1-2
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Den Doodles and Flags 1-3
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Special Awards 1-4
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Capture the Memories 1-8
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In the Public Eye 1-9
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Boy Behavior 1-12
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--- PAGE 9 ---
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This chapter deals with everything that is positive in Cub Scouting: Cub Scout ideals,
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advancement, awards, and good behavior. The goal of the chapter is to suggest ways for
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you to recognize and reward these things. Rewarding the positive encourages boys and will
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ensure the success of the program for both boys and adults.
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the PurPoSeS of cub ScoutIng the methodS of cub ScoutIng
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Since 1930, the Boy Scouts of America has helped Cub Scouting uses seven specific methods to
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younger boys through Cub Scouting. Cub Scouting achieve Scouting’s purpose of helping boys and
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is a year-round family-oriented part of the BSA pro- young adults build character, train in the respon-
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gram designed for boys who are in first through fifth sibilities of citizenship, and develop personal
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grade (or are 7, 8, 9, and 10 years of age). Families, fitness. These methods are incorporated into all
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leaders, and organizations work together to achieve aspects of the program. Through these methods,
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the 10 purposes of Cub Scouting: Cub Scouting happens in the lives of boys and
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1. Character Development their families.
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2. Spiritual Growth 1. The Ideals
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3. Good Citizenship 2. The Den
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4. Sportsmanship and Fitness 3. Advancement
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5. Family Understanding 4. Family Involvement
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6. Respectful Relationships 5. Activities
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7. Personal Achievement 6. Home and Neighborhood Centered
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8. Friendly Service 7. The Uniform
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9. Fun and Adventure
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10. Preparation for Boy Scouts
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The Purposes and Cub Scout Program Helps and the Webelos Leader
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Guide have suggestions for closings that fit the month-
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Methods of Cub Scouting
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ly theme. Here are some additional suggestions:
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and Ideals of Scouting 1. Take one line from the Cub Scout Promise or Law
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of the Pack and ask one of the boys to explain
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what it means. Help him along as needed, and
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Every pack and den activity should reflect the 10
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then ask another boy how that portion of the Cub
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purposes of Cub Scouting, which also reflect the ide-
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Scout Promise or Law of the Pack was used in the
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als and purpose of the overall Scouting movement.
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den meeting that day.
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Note that the fifth method of Cub Scouting used to
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2. Talk about what it means to “Do Your Best.”
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achieve Scouting’s purpose is “Activities”—which is
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what this book is all about. 3. Talk about the fact that every day we have two
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choices: We can choose to do things that are
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To emphasize the purposes of Cub Scouting, use
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right and help other people; or we can choose
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them during the cubmaster’s minute at the end of
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to do things that are selfish and serve only us.
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the monthly pack meeting or during the den leader’s
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Our character and what other people think of
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minute at the end of the den meeting.
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us are based on these choices. In the Cub Scout
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The den leader’s minute introduces the formal Promise, we promise to help other people. Ask
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closing of the meeting. To begin, ask the boys to boys whether they will keep that promise.
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arrange themselves in a formation, such as a circle or 4. Talk about one of our country’s heroes or what
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a horseshoe, that will signal to them that it is time to makes our country strong. Here’s an example:
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listen. Say something like, “It’s time for us to close “Meriwether Lewis and William Clark were two
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our meeting for today. But before we go, I’d like for of our country’s great leaders. In the early 1800s,
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us to think about something important.” This “min- they and their company, called the Corps of
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ute” is to be truly that—it should take only a minute Discovery, forged the path that linked the east
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or two. Then close the meeting with the Cub Scout and west coasts of this land. When they arrived
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Promise, the Law of the Pack, the Cub Scout motto, in what would become Washington State, deci-
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or another appropriate closing. sions had to be made about their return. Rather
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Accentuate the Positive 1–1
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--- PAGE 10 ---
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than just deciding themselves and telling their Materials: ladder, badge shapes cut from wood
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companions what to do, Lewis and Clark let the or foam board, candleholders, candles
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members of the corps vote. It would be nearly
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You can use over and over a pack ceremony ladder
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70 years before a black man could vote in the
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like the one shown. The ladder folds for easy storage.
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United States, and yet York, a black slave who
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You can make a ladder from pine and finish it with
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had made the difficult trip, cast his vote with the
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varnish or shellac, but any ladder will do. Cut badge
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others. The Constitution wouldn’t guarantee the
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shapes from wood or foam board and fasten them to
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right of women to vote until 1919, but Sacajawea,
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the rungs. Burn the badge designs into the wood or
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an American Indian woman, voted with the men
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use large Cub Scout insignia stickers adhered to foam
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that day. America has been blessed with many
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board. Fasten candleholders to each rung and light
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great leaders like Lewis and Clark. Who will be
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each candle as that particular badge is represented in
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next? Will it be you?”
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the ceremony. Be sure the candle flames will not be
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5. Talk about incidents at school or in the com- under the rungs above them.
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munity that showed good citizenship or bravery,
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courage, or compassion.
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akela’S totem
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6. Pick out a familiar saying or song and tie the
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Materials:
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meaning into the purposes of Cub Scouting. For
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Insignia posters
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example, Johnny Mercer wrote in his song: “You
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Wood or foam board
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got to accentuate the positive, and eliminate the
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1-by-2-inch wood
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negative.” Another way to say this might be to
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nails
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make the most of your blessings and make the
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coffee can
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least of your troubles.
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Plaster
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7. Give the boys an opportunity to tell one good
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thing that happened to them that day or week. This totem can be either
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floor- or tabletop-sized. Use
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8. As a group, talk about what it means to be a
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the Cub Scout Insignia Poster
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friend, respect others, or share.
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Set that may be purchased from your
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Scouting distributor or local council
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Highlighting Advancement service center. Mount them on the
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foam board and attach to the main post
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of the totem. Nail the crosspieces to
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ceremony ladder the main post and hammer nails into
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them, one for each boy. Hang from these nails small
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Make ladder of pine and diamond-shaped posterboard pieces with each boy’s
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White candles finish in a natural color.
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name on it. A small coffee can filled with plaster can
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hold the totem if it is inserted into the plaster just
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before it sets.
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tWo-Way ceremony board
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Materials:
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1-by-2-inch board
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hardboard
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Cord Paint
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or chain
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drill
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1⁄-inch plywood
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4
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glue
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This ceremony board is
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Ranks (bottom to top) easy to make and can be
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Tiger used in many ceremonies.
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Bobcat Cover the 1-by-2-inch board with hardboard. Paint
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Wolf it blue. Drill holes in the top for gold candles. The
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Bear front and back sides are identical, with storage space
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Webelos inside. Cut the Arrow of Light from 1⁄-inch plywood,
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4
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Arrow of Light
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paint it gold, and glue it to the board.
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Boy Scout
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1– 2 Accentuate the Positive
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--- PAGE 11 ---
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Pack advancement board With the boys’ help, choose a design that “fits” the
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den. Den doodles can be made from wood, cardboard,
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Cub Scout 1-by-8-by-24-inch wood
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insignia stickers foam board, or other materials; they can be a tabletop
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or floor design; or they can hang on the wall or from
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the ceiling. Include the den’s number and a place for
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each boy’s name and advancement record or accom-
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plishment. Add something to the den doodle at each
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meeting, recognizing attendance, proper uniforming,
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Cup
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and behavior as well as completed achievements
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hooks
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towards rank. Colored beads and shells slipped onto
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leather lacing are common items for symbols of prog-
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1⁄ 2 -inch ress. Identify each symbol with an achievement or
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wood
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elective number or activity badge name.
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Painted or
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wood-burned name Eye
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Wooden coat
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screws
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hanger
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Materials:
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Broomstick
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1-by-8-by-24-inch wood
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cub Scout insignia stickers
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1⁄-inch wood for name boards—one per boy
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2
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two cup hooks per name board
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Spools
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two eye screws per name board
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10 additional eye screws
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Beads
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Boys will look forward to adding their names to
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an advancement board. As Cub Scouts earn a rank One for
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each boy
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and receive their badge, they hang small name boards
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in den
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under the appropriate rank as a part of the advance-
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ment ceremony. Ice cream
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container or
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oatmeal
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An alternative to this advancement board is to use
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box
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PVC pipe to build the frame. PVC pipes and joints
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create a frame that is inexpensive, lightweight, and
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easy to assemble and transport as well as durable.
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Dens may earn simple awards (sometimes called
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den advancement chart dingle dangles) for a variety of things, such as perfect
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attendance, good behavior, participation in service
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You can purchase Cub Scout and Webelos Scout projects, or responsibilities at the pack meeting. For
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den advancement charts from your Scouting dis- example, the den leading the flag ceremony at the
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tributor or local council service center. Or create one pack meeting or at school might earn a small flag to
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from posterboard. Place each boy’s name on the chart hang on their den doodle; the den that leads a song
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and add a sticker to the chart for each achievement as might earn a musical note made of felt.
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he completes them. Give the responsibility for updat-
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You can find more examples of den doodles in
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ing the chart to the denner or the boy who has earned
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Cub Scout Ceremonies for Dens and Packs.
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the achievement.
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den flagS
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Den Doodles and Flags
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Den flags are simple flags that represent each den
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and give den members a sense of camaraderie and
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den doodleS identification. The flag is blue and yellow with the
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den number on it. Den flags are available from the
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A den doodle is a clever way to record advance-
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BSA Supply Division.
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ment progress and other accomplishments of the boys
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as well as a colorful decoration for the den meeting The flag may go home with a different boy after
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place. It can be something as simple as a chart, much each meeting or may be the responsibility of the
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like the den advancement chart, or it can be a simple denner for the month. The flag should be brought
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structure consisting of a cutout mounted on a stand. to each pack meeting and mark the place where the
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No two den doodles are alike. den sits.
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Accentuate the Positive 1–3
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--- PAGE 12 ---
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baSeS for den doodle or den flag This Cubby is approximately 27 inches tall. His size
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depends on the tin cans used. (See the “Crafts” chap-
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ter of this book for suggestions on working with tin.)
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to assemble the cubby:
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1. Cut holes in the bottom of the head and the top of
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the body for the neck can. Flange both ends of the
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neck can. Insert the neck in the head and body,
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and solder in place. If you don’t have a soldering
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Nail four boards iron, you can use special contact glues that bond
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to make the base. metal to metal.
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Two-pound coffee can
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filled with plaster. While 2. Assemble the leg parts. Flange to the ends of the
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wet, insert flagpole. thigh cans. Solder the closed ends of the thigh and
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Make bases from wood or from a two-pound cof- lower leg cans together. Trim to fit the foot cans.
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fee can filled with plaster, as shown. Cover the end Remove both ends from the foot cans and flatten
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of the flagpole with aluminum foil and grease with a to about 2 inches. Solder to the lower legs.
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thick layer of petroleum jelly so it will slip out easily
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3. Cut holes in the bottom of the body can close
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after the plaster hardens. Or use a piece of PVC pipe
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to the outer rim to hold the thighs. Insert thigh
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that has an opening slightly larger than the diameter
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flanges in the body, and solder in place.
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of the flagpole. Cover the bottom end of the PVC with
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4. Cut ears from can tops so the ridges of the tops
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foil and set it into the wet plaster. It should stick sev-
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form the edges of the ears. Cut flanges and spread
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eral inches out of the plaster. When dry, the pole will
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them to fit the head. Solder in place.
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slip easily into the PVC pipe.
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5. To make the arms, remove the rims from the cans.
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Cut the upper arm cans to fit the body, flatten
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Special Awards
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slightly, and solder to the body. Remove both
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ends from the lower arm cans. Cut off the lower
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rims, flatten slightly, and solder to the hands.
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cubby
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Then push the lower arms over the upper arms
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and solder.
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The Cubby is a pack trophy awarded each month
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for a variety of reasons. Award it to the den with
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Head
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the largest percentage of parents or guardians at a
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pack meeting. Or award the “best-uniformed den” or
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“best-behaved den.” The pack committee determines
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Ears
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the award category and keeps it secret until the pack
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meeting. Cubby is a “traveling” trophy and should
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||
be returned to the pack meeting each month to be
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presented again. The pack might keep a scrapbook
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of photographs showing Cubby with the members of
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Body
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each den and at the various den activities.
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||
Tin Man Cubby
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||
Materials:
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a variety of cans for the cubby parts— Arms
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hat: 59⁄ -inch funnel
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16
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head: 411⁄ -inch-tall can
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16
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neck: 23⁄-inch-tall can
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||
8
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||
ears: two 21⁄-inch pieces cut from can
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||
8
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||
body: 12-inch-tall can Legs
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||
upper and lower arms: four 33⁄-inch-tall cans
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||
4
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||
hands: two 27⁄-inch-tall cans
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||
8
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||
thighs: two 415⁄ -inch-tall cans
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||
16
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||
lower legs: two 33⁄-inch-tall cans
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||
4
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||
feet: two 33⁄-inch-tall cans
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||
4
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||
fabric for neckerchief
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||
Solder
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||
tin snips
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||
1– 4 Accentuate the Positive
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||
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||
--- PAGE 13 ---
|
||
6. Tilt the funnel and solder it to the head. aWardS from the heart
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||
7. Sand all rough spots and sharp edges.
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||
Everyone needs a pat on the back to feel appreci-
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||
8. Paint the Cubby to resemble a Cub Scout, and ated! These awards, suitable for both boys and adults,
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||
add a neckerchief made of fabric. are quick and easy. Remember to reward den chiefs,
|
||
pack leaders, and family members, too. Be sure to
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||
Bowling Pin Cubby mention specifically what the person is being recog-
|
||
nized for.
|
||
Materials: bowling pin, acrylic
|
||
• monu-mInt-al award: Attach a mint to a note
|
||
paint
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||
or certificate stating that the person has made a
|
||
Paint an old bowling pin to look monu-mint-al contribution to Scouting.
|
||
like a Cub Scout. It can be as sim-
|
||
• chalk It up to another great Job: Glue pieces
|
||
ple as a head, a painted-on necker-
|
||
of chalk to wood or foam board that state “Great
|
||
chief, and a blue body. Or you can
|
||
Job!”
|
||
make a cap and neckerchief from
|
||
• you have been the link to Success: Award links
|
||
fabric and glue them on.
|
||
of a chain.
|
||
WISe old oWl aWard • We are not StretchIng It—We appreciate
|
||
you: Mount rubber bands on foam board or
|
||
Wise is the pack that encourages the boys, the
|
||
mat board.
|
||
dens, and the pack to earn the National Summertime
|
||
• Smooth Sailing award: Award a small toy sail-
|
||
Pack Award. The pack must earn the National
|
||
boat.
|
||
Summertime Pack Award in order for individual
|
||
boys and dens to be eligible to earn this award also. • good Sport award: Write “Good Sport” on a
|
||
To emphasize this award, a pack might offer the baseball.
|
||
Wise Old Owl Award to dens and individual boys. • What a catch: Award a certificate with a fish pic-
|
||
The pack committee sets the criteria for winning ture or plastic fish.
|
||
the award. Each den leader keeps track of the den’s
|
||
• you are tops: Award a toy top.
|
||
activities and each boy’s participation during the
|
||
• you are the best of the bunch: Award fresh or
|
||
summer. The records are turned in to the pack com-
|
||
artificial grapes or bananas.
|
||
mittee at the end of the summer, and the awards are
|
||
presented at the first fall meeting to each den meeting • you rose to the occasion: Award a fresh or artifi-
|
||
the criteria. Awards become more elaborate as the cial rose.
|
||
dens and boys exceed the basic criteria. • appreciation from your Scouting fans: Award a
|
||
handmade paper fan.
|
||
Wise Old Owl for Dens • you are Worth a million: Award play money or
|
||
gold-covered candy coins.
|
||
Materials: 3-inch leather rounder (round piece of
|
||
leather), hole punch, permanent markers or owl leath- • for the Person Who can’t be licked: Award a
|
||
er stamp, leather lacing, colored beads or feathers lollipop.
|
||
• top dog award: Award a dog chew toy.
|
||
Punch two holes in the leather rounder at the edges,
|
||
across from one another. Draw an owl on the rounder • thanks…
|
||
with permanent markers or use a leather stamp. —for leading us in the right direction:
|
||
Attach leather lacing at both holes. One is for hanging A compass
|
||
on the den flag, the other, for adding beads, feathers,
|
||
—for Sticking to It: Tape or glue
|
||
etc., to indicate the involvement of the den during the
|
||
—for lighting up our meeting: A light bulb
|
||
summer. The more boys involved, the more den meet-
|
||
ings held, the more elaborate the award. —for tying up loose ends: Shoelaces
|
||
Wise Old Owl for Boys
|
||
Materials: candy mold of owl, ring for necker-
|
||
chief slide, plaster, acrylic paint
|
||
Make plaster owls for neckerchief slides. As the
|
||
plaster hardens, place a ring in it for the neckerchief
|
||
to go through. When hard, remove from the mold and
|
||
paint with acrylic paint.
|
||
Accentuate the Positive 1–5
|
||
|
||
--- PAGE 14 ---
|
||
troPhIeS cardboard medal
|
||
Materials: Materials: thick cardboard; silver, gold, and
|
||
two cans of different sizes bronze wrapping paper; glue; permanent marker;
|
||
Spray paint ribbon
|
||
coat hangers
|
||
Cut two rounds from the cardboard 21⁄ inches
|
||
Pipe cleaners or plaster figure 2
|
||
in diameter. Glue them together and wrap with the
|
||
Small square of wood
|
||
wrapping paper, gluing the edges to the back. Punch
|
||
Stain or paint
|
||
a hole at the edge of the circle and thread the ribbon
|
||
foam board
|
||
through it for the necklace. Label the medal first, sec-
|
||
Glue the smaller can to the top of ond, or third place with the permanent marker.
|
||
the larger can. Make two handles out
|
||
of coat hanger wire and glue them on the top can. brIdgeS
|
||
Spray-paint the trophy. Glue a plaster figure to the
|
||
Bridges are often used in advancement ceremonies
|
||
top, or if desired, make a small figure out of pipe
|
||
when boys move from one rank to another or from
|
||
cleaners. Glue the whole thing to a square of wood
|
||
one level of the Scouting family to another. Use the
|
||
that has been stained or painted and sealed. Attach
|
||
Family Talent Survey to find someone in your pack
|
||
an appropriate “plate” made from foam board.
|
||
who likes to build things. You will want the bridge
|
||
to be sturdy and safe. Diagrams for three possibilities
|
||
Wood medal
|
||
are shown here.
|
||
Materials: 3-inch square of wood; stain or paint; Bridge #1
|
||
markers; ribbon, leather lacing, or yarn
|
||
3´ x 6´
|
||
Drill a hole in the corner of a wood square. Stain
|
||
and seal or paint the square. Use markers to decorate,
|
||
indicating first, second, or third place. Attach ribbon,
|
||
leather lacing, or yarn to hang around the neck.
|
||
Slotted
|
||
metal lId medal Rope
|
||
Bridge #2 Framework
|
||
Materials: canning jar or frozen juice lid, nail
|
||
and hammer, yarn or 1⁄-inch ribbon, paint
|
||
8
|
||
Canning jars or frozen juice lids make good medals.
|
||
Begin by making evenly spaced holes around the lid
|
||
24˝
|
||
edge with a nail and hammer. Paint the lids differ-
|
||
ent colors and indicate first, second, or third place.
|
||
Weave yarn or ribbon in and out of the holes, making
|
||
the yarn long enough to hang around the neck. 24˝ 24˝
|
||
7˝ 7˝
|
||
48˝
|
||
Post
|
||
2˝ x 4˝ x 38˝
|
||
1˝ x 6˝
|
||
planking Lock frames
|
||
together.
|
||
Make evenly spaced
|
||
Weave yarn in and holes around edge.
|
||
out of holes.
|
||
2˝ x 4˝ or 2˝ x 6˝
|
||
Paint lids different colors
|
||
for first, second, and third. Self-contained storage
|
||
1– 6 Accentuate the Positive
|
||
|
||
--- PAGE 15 ---
|
||
Bridge #3
|
||
Hinges
|
||
Side pieces
|
||
Materials for Bridge #3
|
||
• 3⁄ inch Plywood 4 feet by
|
||
4
|
||
4 feet Grade A or B
|
||
• Hinges
|
||
Ramp Deck
|
||
• Paint
|
||
Hinge ramps to deck.
|
||
To store, pull hinge pins.
|
||
Sides and rails slot together
|
||
to form a basic bridge
|
||
Right Side Left Side
|
||
structure. 48˝
|
||
32˝
|
||
Ramp 28˝
|
||
24˝
|
||
8˝
|
||
All Slots: 4˝
|
||
3⁄4˝ wide by 3˝ long
|
||
4˝
|
||
10˝
|
||
2˝ 13˝
|
||
24˝
|
||
48˝
|
||
Accentuate the Positive 1–7
|
||
|
||
--- PAGE 16 ---
|
||
Capture the Memories Bind the four sticks or dowels together with bell
|
||
wire to form a rectangle. Be sure to make these joints
|
||
as rigid and tight as possible. Cut the piece of vinyl
|
||
Scouting is a series of steps aimed at the highest in the shape of a skin. Punch holes around the edges.
|
||
achievement: the Eagle Scout Award. The sugges- Tie the four corners in place with the four 12-inch
|
||
tions below are designed to help boys celebrate how pieces of twine, and then lace around the skin with
|
||
far they have gotten on the road to the Eagle Scout the 90-inch piece of twine. Sew, staple, or glue badg-
|
||
rank and to capture their Cub Scouting memories. es to the “skin.”
|
||
Patch blanket WalkIng StIck
|
||
Materials: blanket, patches the cub Scout has Materials: large dowel stick long enough and
|
||
earned thick enough for a suitable walking stick, 12 inches
|
||
of leather lacing, piece of rope or yarn
|
||
Patch blankets can display extra badges a Cub
|
||
Scout has earned. Use any size of blanket that will fit Drill a hole through the dowel about 4 inches from
|
||
on the Cub Scout’s bed, and stitch the patches on it. the top. Thread the leather lacing through the hole
|
||
and secure with a square knot. Encourage boys to
|
||
ScraPbook attach something of significance to this loop for each
|
||
milestone they wish to remember. These “dingle dan-
|
||
Materials:
|
||
gles” can be, for instance, a branded piece of leather,
|
||
Scrapbook, three-ring binder, or cardboard
|
||
feathers, or beads and other trinkets. Paint the walk-
|
||
pieces wrapped in fabric
|
||
ing stick, or carve it or wood-burn it.
|
||
acid-free paper
|
||
hole punch
|
||
career arroW
|
||
markers, stickers, rubber stamps, etc.
|
||
Pictures, advancement award cards, etc. What better way to recognize the Arrow of Light,
|
||
double-stick tape Cub Scouting’s highest honor, than with a decorated
|
||
arrow? Purchase arrows at sporting goods stores that
|
||
Punch holes in the paper to fit your scrapbook. If
|
||
sell archery equipment.
|
||
using cardboard, tie it all together with ribbon, string,
|
||
or leather lacing. Use double-stick tape to adhere the
|
||
pictures, awards, etc. Decorate the pages and encour-
|
||
age the boys to write something in the book about the
|
||
event or award. This is a good project to show off at
|
||
the blue and gold banquet.
|
||
troPhy SkIn Materials:
|
||
28-inch hunting arrow with broadhead point
|
||
and blue and yellow feathers
|
||
acrylic paint or auto detailing tape
|
||
1-by-2-inch wooden board 30 inches long
|
||
Wood stain
|
||
two cup hooks
|
||
Picture hanger
|
||
Paint or use auto detailing tape to make 3-inch-
|
||
18˝
|
||
wide stripes on the arrow for each rank the boy has
|
||
achieved. Use orange for Tiger Cubs, black for the
|
||
Bobcat badge, yellow for the Wolf badge, light blue
|
||
for the Bear badge, and red for the Webelos badge.
|
||
Add a 1⁄-inch stripe of gold or silver for each arrow
|
||
4
|
||
point or Webelos compass point the boy has earned
|
||
on top of the stripe that represents that rank.
|
||
15˝
|
||
Stain the 30-inch wood board and attach two cup
|
||
Materials: two 18-inch and two 15-inch sticks or
|
||
hooks on the front to hold the arrow. Add the boy’s
|
||
dowels, four 12-inch pieces and one 90-inch piece
|
||
name using permanent markers. Attach a hanger on
|
||
of hemp twine, four 12-inch pieces of bell wire, one
|
||
the back.
|
||
12-by-15-inch piece of thin vinyl
|
||
1– 8 Accentuate the Positive
|
||
|
||
--- PAGE 17 ---
|
||
graduatIon Plaque Feathers, eagle talons, and bear claws can have spe-
|
||
cial significance, such as rank advancement. The Cub
|
||
Scout can pick up the beads at the pack meeting to
|
||
add to his necklace.
|
||
Add-a-bead necklaces work well for adults and
|
||
den chiefs, too. Use the different colors of beads to
|
||
represent attendance at pack activities, participation
|
||
in training, awards earned in Scouting, tenure, the
|
||
den advancing in rank, participation in service proj-
|
||
ects, leadership for district and council events, etc.
|
||
In the Public eye
|
||
A strong, active Cub Scout pack has a story to tell,
|
||
both within the pack family and to the larger commu-
|
||
11⁄4˝ 2˝ nity it serves. And if the pack hopes to remain strong
|
||
and active, it’s important that its story be told.
|
||
11⁄4˝
|
||
Good communication with the pack’s families is
|
||
12˝
|
||
obviously essential because without their help the
|
||
pack is bound to flounder. And telling the pack’s
|
||
story to the community—thus keeping it in the public
|
||
eye—is an excellent method of attracting recruits.
|
||
2˝
|
||
Pack neWSletter
|
||
3˝
|
||
18˝
|
||
Ideally, all the pack’s parents and guardians will
|
||
attend every pack meeting and keep abreast of what’s
|
||
Materials: going on and what’s planned. But this isn’t always
|
||
1⁄-inch plywood, 12 by 18 inches the case, so monthly a pack newsletter is a good way
|
||
2
|
||
1⁄-inch plywood, 5 by 5 inches to keep all pack families informed about activities
|
||
4
|
||
Stain and plans. You can also use the pack newsletter as
|
||
gold paint an opportunity for giving boys who have advanced or
|
||
black paint or permanent marker done special Good Turns an extra measure of recogni-
|
||
fine steel wool tion by listing their names.
|
||
Picture hanger
|
||
A pack newsletter doesn’t have to be an elaborate,
|
||
Cut a plaque from the 1⁄-inch plywood using the printed production—although with computers and
|
||
2
|
||
pattern shown. Stain and seal with clear lacquer or desktop publishing, this is easier than it once was.
|
||
varnish. Cut the fleur-de-lis from the 1⁄-inch plywood But it also may be nothing more than a single type-
|
||
4
|
||
and paint it gold. Tone down with fine steel wool. written sheet that has been photocopied. Every issue
|
||
Drill or nail small holes for each activity badge the should include short articles covering coming events
|
||
boy has earned. Glue on only the badges of rank and and names of boys who have advanced.
|
||
arrow points a boy has earned. Glue in the holes the
|
||
You may want to have dens contribute short
|
||
activity badges the boy has earned. Add the boy’s
|
||
articles on their activities for the month. Assign a
|
||
name, pack number, and date using black paint or
|
||
different den member with the job of reporting each
|
||
permanent markers. Attach a hanger on the back.
|
||
month.
|
||
add-a-bead necklace Choose a pack committee member or parent/
|
||
guardian to be newsletter editor, another to be typ-
|
||
Materials: 30 inches of leather lacing, colored
|
||
ist, and a third to be the production person. Mail the
|
||
beads
|
||
newsletter to homes, or distribute it to families at
|
||
Give each Cub Scout an add-a-bead necklace to pack or den meetings. (It may not be a good idea to
|
||
wear to the pack meeting as a special and immedi- give copies to boys to take home because they may
|
||
ate recognition to take home with him. Use different lose, misplace, or forget them.)
|
||
colors of beads to symbolize attendance, advance-
|
||
ment, participation in pack and council events, etc.
|
||
Accentuate the Positive 1–9
|
||
|
||
--- PAGE 18 ---
|
||
Individual dens may want to have their own occa- tion should be at the end of the story, so it may be
|
||
sional newsletter, with all articles and production in cut if necessary for space.
|
||
the hands of the boys. • terminology. Use correct titles, with capital let-
|
||
ters as indicated: Cub Scout, Webelos Scout, den
|
||
dISPlayS chief, Cubmaster, assistant Cubmaster, den leader,
|
||
Webelos den leader. Always capitalize the word
|
||
Schools, religious institutions, local historical
|
||
Scouting. (Note, however, that some publications
|
||
societies, libraries, and even some businesses will
|
||
will have their own style and may change your
|
||
often allow temporary exhibits and displays. To help
|
||
capitalization.)
|
||
publicize the pack, dens could exhibit pinewood
|
||
derby cars, crafts, and photographs of pack activities. • When mentioning the pack for the first time in
|
||
This is also a useful recruiting tool, especially when the story, identify it as Cub Scout Pack [number],
|
||
displays are shown where other boys can see them followed by the name of your chartered organiza-
|
||
and get excited about Cub Scouting. tion. In other paragraphs, refer to “the pack” (low-
|
||
ercase) or “Pack 10” (uppercase).
|
||
neWS releaSeS • always use the full names of any individuals the
|
||
first time they are mentioned in the news release.
|
||
Pack activities are newsworthy. Newspaper edi-
|
||
When only one or two Cub Scouts are men-
|
||
tors and news directors of radio and television sta-
|
||
tioned (as for important awards), add the names
|
||
tions are interested in stories about unusual pack
|
||
of the parents/guardians. It is usually best not
|
||
activities. Most newspapers don’t have the resources
|
||
to include addresses, but if more than one town
|
||
to cover every event in every community, but they do
|
||
is involved, name them. Names of adult should
|
||
appreciate getting factual information about especial-
|
||
include Scouting titles, if applicable.
|
||
ly interesting events. Neighborhood and small-town
|
||
• check with the editor to find out whether you can
|
||
newspapers are more likely to print a story of this
|
||
use photographs, and if so, what the specifications
|
||
type than large city newspapers. But in either case, a
|
||
are (size and type, etc.). If you furnish photos, try
|
||
news release, typewritten in the proper form, stands
|
||
to get “action” shots, which are much more inter-
|
||
a better chance of being used than if you merely call
|
||
esting than “head” shots or shots of people shak-
|
||
the paper or turn in some haphazard notes.
|
||
ing hands. Identify all the people in the photo (left
|
||
Community-access cable TV offers another way to to right), giving their full names.
|
||
get your pack’s story before the public. Some cable
|
||
TV stations will also schedule dens or packs to pro- ScoutIng ShoWS
|
||
duce their own TV shows.
|
||
Your pack will want to be part of your council’s (or
|
||
Your pack event must compete with all the other
|
||
district’s) Scouting show, Scoutorama, or other expo-
|
||
activities that are going on in the community at the
|
||
sition featuring Scouting. Getting involved will help
|
||
same time. If your activity has a unique angle, it is
|
||
pack families understand that they are part of the
|
||
more likely that your event/news release will catch an
|
||
entire Scouting family—which includes Tiger Cubs,
|
||
editor’s attention. Consider writing releases on such
|
||
Boy Scouts, Varsity Scouts, and Venturers.
|
||
things as special service projects, special anniversa-
|
||
ries, visits by well-known individuals, or unusual Your Cub Scouts will have a wonderful time par-
|
||
outdoor activities. But many newspapers will also ticipating. Scouting shows demonstrate to the public
|
||
use stories about recruiting drives and monthly pack how Scouting serves youth and the community.
|
||
meetings, with lists of boys who received awards. Some councils hold Scouting shows each year, and
|
||
others, every other year. Your pack will be informed
|
||
First, check with an editor or broadcast news
|
||
in plenty of time and will probably be asked to pro-
|
||
director to see whether the paper or station has a spe-
|
||
vide a demonstration or exhibit. You may be assigned
|
||
cial format for news releases that you should follow.
|
||
a booth or asked to make one.
|
||
If not, follow these guidelines:
|
||
The council will provide you with guidelines and
|
||
• timing is essential. Deliver the news release well
|
||
suggestions. Here are some general tips as you pre-
|
||
before the deadline. If the story is about an event
|
||
pare for a Scouting show:
|
||
that has already happened, it isn’t news after a day
|
||
or two. • Boys should be well-trained and thoroughly famil-
|
||
iar with the booth subject.
|
||
• the first paragraph of a news release should catch
|
||
the reader’s attention. It should tell who did what, • They should be able to explain what they are
|
||
when, and where. Subsequent paragraphs should doing, how, and why.
|
||
give further details. The least important informa- • Boys should be courteous and well-behaved.
|
||
1– 10 Accentuate the Positive
|
||
|
||
--- PAGE 19 ---
|
||
• Boys should be in proper uniform (except when
|
||
the subject of the booth calls for costumes).
|
||
• One boy can act as a barker to attract attention to Fold
|
||
your booth and help tell the story. 4˝
|
||
Diamond Fold and
|
||
• Colorful, eye-catching backgrounds and decora- staple
|
||
tions will draw people to your booth.
|
||
• Displays on the booth subject made by the boys
|
||
add to its appeal and are sometimes an important
|
||
factor in judging.
|
||
• Giveaways attract interest and attention. Give
|
||
inexpensive prizes for participation in booth activ-
|
||
ities or games. Boys might also make craft items to
|
||
give away.
|
||
• Don’t sell anything at booths. The pack will earn
|
||
profits from ticket sales.
|
||
• Action in the booth is important. If the boys are
|
||
making a craft item, it should be simple and quick-
|
||
ly made while spectators look on. Consider involv-
|
||
ing spectators in games and other activities.
|
||
• Each den is usually assigned a time to cover the Use colorful crepe paper twists, ruffles, or streamers
|
||
booth. Be sure to let them know when, and what to trim the booth.
|
||
they are supposed to do.
|
||
Brown wrapping paper is also good for covering
|
||
• The den chief can help Cub Scouts in the booth frames. Decorate it with paint, crayons, or mark-
|
||
while the den leader or other adults are nearby. ers before tacking or stapling it to the booth frame.
|
||
Burlap or other inexpensive fabric is another type of
|
||
Types of Booth Activities frame covering. Lightweight posters and displays can
|
||
be pinned to the fabric.
|
||
The type of booth activity will depend on the
|
||
theme of the Scouting show, the criteria for judging, If sheet cardboard is available, use it to make sturdy
|
||
and the resources you have. A continuous demonstra- booth sides. It is easily fastened to wooden booth
|
||
tion, staffed by the boys and with plenty of action, is frames with tacks or a staple gun. It can be painted
|
||
better than a static display. Here are some examples with leftover latex wall paint, which adds both color
|
||
for booth demonstrations and activities: and strength. Use a roller for painting large pieces. Add
|
||
details over the latex with tempera or wide-line felt-tip
|
||
Pinewood derby Puppet show
|
||
markers. Attach signs and other lightweight displays to
|
||
Space derby Kites
|
||
cardboard with tape, staples, or straight pins.
|
||
Bicycle safety Skits
|
||
Costumes Paper airplanes Foam board is another lightweight, strong siding
|
||
Obstacle course Physical fitness for booths. Although more expensive than cardboard,
|
||
Musical instruments Soap carving it comes in many bright colors and has all the ease
|
||
Beanbag toss Turtle race of cardboard. It can be cut into smaller sizes and
|
||
Woodworking Bird feeders mounted for booth signs, etc. Because it has a smooth
|
||
American Indian crafts Neckerchief slides surface and bright color, it may be better to use where
|
||
Model building Block printing there will be writing—the name of the booth or other
|
||
Wolf, Bear, and Webelos Tossing games display material.
|
||
advancement projects Masks
|
||
Another alternative to wood for booth construc-
|
||
Cub Scout Academics Leatherwork
|
||
tion is PVC pipe, which has the advantage of being
|
||
and Sports
|
||
lightweight and easily portable. The joints and poles
|
||
eliminate the need for hammer and nails, and the
|
||
Decorating the Booth
|
||
parts can be reused for other projects fairly easily.
|
||
Crepe paper is one of the best materials for booth PVC can be painted just like wood, and siding can be
|
||
decoration. (Always use flameproof crepe paper!) It glued or taped to the frame.
|
||
comes in many colors and can be stretched, twisted,
|
||
Be sure to include a large sign showing your pack
|
||
fringed, crushed, scalloped, fluted, or ruffled. You
|
||
number and the name of your chartered organization
|
||
can cover booth frames with sheets of crepe paper.
|
||
in bold letters. You may wish to post a chart showing
|
||
Accentuate the Positive 1–11
|
||
|
||
--- PAGE 20 ---
|
||
the names of pack leaders and a duty roster of times Den leaders should be sure to wear their uniforms to
|
||
when various dens staff the booth. strengthen a visual connection between the leader
|
||
and the boy. The uniform serves as a reminder for
|
||
A Simple Booth boys to be on their best behavior.
|
||
This quick-and-easy booth can be used for a pack
|
||
Code of Conduct
|
||
circus or fair as well as a Scouting show.
|
||
A code of conduct is a list of behavioral expecta-
|
||
Materials: table, four sturdy posts or poles (6 to 7
|
||
tions and consequences if the code is broken. Boys,
|
||
feet long), wire or cord, crepe paper, stapler or tape
|
||
with the den leader’s guidance, usually create it
|
||
Tie or wire a pole to each table leg. Wind crepe themselves. Three or four points will be sufficient,
|
||
paper strips around the poles. Tie a cord from pole to and they should be positive; the words no or don’t
|
||
pole around the tops and decorate with paper flags or have no place in a code of conduct. Include a final
|
||
drapes. Balloons add color and can be tied together rule such as “Have fun!” Also consider including the
|
||
at the tops of the poles. Cover the lower part of the 3 R’s: Respect for others, Responsibility for yourself
|
||
booth with crepe paper fringes or gathered fabric and your things, and Reasonable behavior. Boys
|
||
(such as an old sheet). should sign the code of conduct, and it should be
|
||
displayed at every den meeting.
|
||
Boy Behavior
|
||
Two-Deep Leadership
|
||
A minimum of two registered adult leaders, or one
|
||
Positive behavior is a great responsibility and, adult and a parent or guardian of a participating Cub
|
||
sometimes, challenge for the den leader. It isn’t Scout—one of whom must be at least 21 years old or
|
||
easy—but it isn’t impossible, either. Remember that older—is required for all trips and outings. Two-deep
|
||
each boy (just like all of us) has emotional needs leadership can also be invaluable in managing boys
|
||
that need to be fulfilled. These needs include being and their activities during den meetings. With two
|
||
accepted, getting noticed, belonging, receiving praise leaders, an energetic den can be divided into two
|
||
and encouraement, feeling safe and sound, letting off groups, or one leader can work with a boy who is
|
||
steam, expressing himself, experimenting (and mak- having difficulty keeping up or managing his behav-
|
||
ing some mistakes in the process), and having fun. ior. Furthermore, a second adult provides another
|
||
pair of hands when projects require adult help.
|
||
How each boy tries to fulfill these needs is what
|
||
makes him unique. One boy may be timid and quiet,
|
||
The Den Chief
|
||
and another, loud and rowdy; but both are afraid they
|
||
won’t be accepted. Den leaders must plan ahead and
|
||
The den chief is a wonderful resource for the suc-
|
||
be prepared to make Cub Scouting a positive experi-
|
||
cess of a den. Although the den chief is not part of
|
||
ence for every boy and his family.
|
||
the two-deep leadership because he is not an adult,
|
||
he can help manage the den by being prepared with
|
||
hoW to achIeve PoSItIve behavIor
|
||
a game, story, stunt, song, or other brief activity that
|
||
provides some variety in the den program. See the
|
||
The den meeting is a time when the den leader and
|
||
Cub Scout Leader Book and Den Chief Handbook for
|
||
Cub Scouts socialize, practice what they’ve learned
|
||
more information on den chiefs.
|
||
at home, and plan for future activities. For the den
|
||
meeting to be productive for everyone, it must run
|
||
Den Meeting Structure
|
||
smoothly. A good atmosphere is essential to manag-
|
||
ing boys’ behavior. Many times, that simply means
|
||
Following the den meeting structure as outlined in
|
||
recognizing and rewarding good behavior. Here are
|
||
the Cub Scout Leader Book and Webelos Leader Guide
|
||
some suggestions for encouraging good behavior.
|
||
will go a long way to making a meeting run smoothly.
|
||
Also, Cub Scout Program Helps and the Webelos
|
||
Expectations
|
||
Leader Guide both have detailed meeting plans for
|
||
each month. Every part of the den meeting structure
|
||
Be sure that every boy and his parent or guard-
|
||
plays a vital role in the success of the meeting.
|
||
ian understand the purposes of Cub Scouting, the
|
||
advancement system, the structure of the den and
|
||
Leader/Boy Relationship
|
||
pack, and the expectations of both boy and parent in
|
||
the program. A letter to parents and guardians with
|
||
The relationship between a leader and the boys is
|
||
a follow-up face-to-face meeting within a couple of
|
||
central to managing the boys’ behavior. For instance,
|
||
days of their son joining Cub Scouts will ensure this.
|
||
if the den leader enjoys the den meeting, the boys
|
||
1– 12 Accentuate the Positive
|
||
|
||
--- PAGE 21 ---
|
||
will, too. The boys model what they see, so be a good Conduct Candle
|
||
model by having a positive attitude.
|
||
Use the same candle each week. The denner lights
|
||
be consistent and fair in all your dealings with the candle at the beginning of the den meeting, and
|
||
boys. Treat them the same when they break any rules. the candle is allowed to burn as long as all den mem-
|
||
But do this in a manner that allows a boy to keep his bers show good behavior. But if a boy misbehaves or
|
||
dignity. Give him a chance to tell his side of the story. breaks the code of conduct, the candle must be blown
|
||
Allow him the opportunity to apologize. He will be out for the rest of the meeting. As soon as the candle
|
||
aware of and remember your kindness and caring. burns down, the den is entitled to a special outing or
|
||
Your example of fairness will carry over into other special treat.
|
||
aspects of the boys’ lives.
|
||
Tickets
|
||
be a good listener. When a boy wants your atten-
|
||
tion, look him in the eye. If you are busy, look him
|
||
Buy tickets at teacher or party supply stores, or
|
||
in the eye and ask him to wait a minute. Honor his
|
||
make them yourself by hand or with the use of a
|
||
patient waiting by turning to him with your full
|
||
computer. Give boys a ticket when they do something
|
||
attention as soon as possible.
|
||
good. (Try to give each boy an opportunity to receive
|
||
give each boy a chance to participate in discus- a ticket during a meeting.) They write their names on
|
||
sions. To encourage boys to speak one at a time and the back of their tickets. The tickets are placed in a
|
||
to listen carefully, you might try a “talking stick,” an jar, and a drawing is held at the end of the den meet-
|
||
American Indian tradition. Only the person holding ing for a small treat (gum, candy, stickers, small toy,
|
||
the talking stick is allowed to speak, and everyone etc.). At the end of the month, hold a drawing for a
|
||
else must listen respectfully without interrupting. “big” winner.
|
||
A talking stick can be a dead branch from a tree, a
|
||
dowel rod, or even a shortened broomstick handle. Marble Jar
|
||
Let the den members decorate the talking stick so
|
||
Use a glass jar so it makes lots of noise when you
|
||
that it represents them and they value it. Use mark-
|
||
put a marble in. Draw a line on the jar high enough
|
||
ers, paints, or stickers to enhance the stick. Boys may
|
||
so that it will take the boys six weeks or so to earn
|
||
want to hang feathers, beads, or shells on leather
|
||
enough marbles to fill it to that point. Explain that
|
||
strips from their talking stick.
|
||
when marbles reach the line, the den will get a treat.
|
||
Drop a marble in the jar when someone in the den
|
||
Talking Stick does something good. Make a production out of it.
|
||
Celebrate with the den when they reach their goal.
|
||
Stickers and Certificates
|
||
Give big flashy stickers to boys for good behavior.
|
||
Use them only occasionally, or they lose their appeal.
|
||
Make certificates by hand or with a computer. Use
|
||
gold seals or other decorative stickers. You can also
|
||
purchase certificates at teacher supply stores.
|
||
Super Star Pins
|
||
When you notice a boy’s good behavior, comment
|
||
on it! Let him and the others in the den know exactly Decorate clothespins, one for each boy, with stars.
|
||
what you liked. Soon, you’ll have all the den mem- As you notice a boy’s good behavior, pin one on him.
|
||
bers copying that behavior. Comments such as “I like At the end of the meeting, boys with pins on can pick
|
||
the way you did that,” or “Good thinking,” or “Now something from a “treat bag” filled with food items
|
||
you have the hang of it” encourage and build self- (candy, granola bars, popcorn, bags of chips or cook-
|
||
esteem. The more specific you are, the more likely ies, etc.) or inexpensive items that appeal to boys
|
||
the communication has been effective and the activ- (baseball cards, small toys, pencils). Vary the items
|
||
ity will be repeated. in the treat bag often.
|
||
trackIng behavIor
|
||
Keeping track of behavior helps a boy and his leader
|
||
know how he is doing. Here are some suggestions.
|
||
Accentuate the Positive 1–13
|
||
|
||
--- PAGE 22 ---
|
||
Super Star Notes for the meeting have been exhausted, or the den just
|
||
needs a change of pace. Your survival kit will grow
|
||
These notes to parents and guardians are good for
|
||
as you and your den work together and discover the
|
||
praising the boy when he gets back home. You can
|
||
things the boys like best—you will base your survival
|
||
make your own by hand or with a computer or buy
|
||
kit on those activities. The goal is to pack your bag
|
||
them at a teacher supply store. The boy will know
|
||
with lightweight, multiple-use objects—and take it to
|
||
you really appreciate it if you tell his family how
|
||
every den meeting.
|
||
well he did.
|
||
Here are some suggestions for your leader survival
|
||
Coup Stick kit. Remember that each item should have multiple
|
||
uses. Newspapers, for example, can be rolled and
|
||
taped to become bats or batons to pass during a relay;
|
||
left flat, they can become a “base” for use during a
|
||
game; opened, they can act as a dropcloth for messy
|
||
projects; folded, they can become hats. Newspapers
|
||
can also be torn and taped and shaped into instant
|
||
costumes. Your imagination is the only limit.
|
||
• Balls—a couple of tennis balls and at least one
|
||
soccer ball
|
||
• Blindfolds—at least two
|
||
• Safety pins
|
||
• Duct tape
|
||
Some American Indian tribes used coup sticks
|
||
• Newspapers
|
||
(“coo sticks”) as a way to display accomplishments.
|
||
• Markers, pens, pencils, chalk
|
||
Items such as beads, feathers, bear claws, or eagle
|
||
claws were awarded at tribal meetings for deeds of • Blank paper, various colors
|
||
note (not unlike badges Cub Scouts earn!). These • Lightweight rope
|
||
were attached to the coup stick for display, bringing
|
||
• Scissors
|
||
honor to the coup stick owner.
|
||
• Balloons
|
||
Make a den coup stick by drilling a hole through
|
||
• Empty 16-oz. drink bottles with caps—at least six
|
||
a wooden dowel at the top and bottom. Loop a long
|
||
• Magic tricks
|
||
piece of heavy-duty string or leather cord through the
|
||
holes so it runs the length of the dowel. Award small • Puzzles
|
||
items at den meetings for good behavior. Use beads, • Cub Scout Leader How-To Book
|
||
feathers, stamped leather pieces, stamps on poster-
|
||
board pieces, etc., and attach them to the string on
|
||
concluSIon
|
||
the coup stick. Take the coup stick to pack meetings
|
||
to bring honor to your den! A den leader who can effectively manage the
|
||
boys in the den is better prepared to help them to
|
||
leader “SurvIval” kIt do their best. Every boy gets the opportunity to have
|
||
a rewarding Cub Scouting experience filled with
|
||
At times, even the best plans go awry. A bag adventure, success, and lots of fun in a safe, positive
|
||
packed as a leader “survival” kit comes in handy environment.
|
||
when chaos has erupted, all your planned activities
|
||
1– 14 Accentuate the Positive
|
||
|
||
--- PAGE 23 ---
|
||
2
|
||
CrAFTS
|
||
Why We Use Crafts 2-1
|
||
Teaching Crafts to Cub Scouts 2-1
|
||
Resources for Craft Materials 2-2
|
||
How-To Tips 2-4
|
||
Theme Crafts 2-5
|
||
Safety Rules for the Use of Tools 2-6
|
||
Enlarging Patterns 2-6
|
||
Managing Den Supplies 2-7
|
||
Paper Crafts 2-8
|
||
Papier-Mâché 2-13
|
||
Printing 2-14
|
||
Wire, Bead, and Plastic Crafts 2-16
|
||
Clay Crafts and Modeling 2-20
|
||
Candle Making 2-23
|
||
Plaster Crafts 2-25
|
||
Metal and Tin Craft 2-27
|
||
Leather Craft 2-30
|
||
Wood Craft 2-32
|
||
Neckerchief Slides 2-36
|
||
|
||
--- PAGE 25 ---
|
||
This chapter is filled with hours of craft fun for you and your Cub Scouts. Besides craft
|
||
ideas and tips, you will find out how crafts can be used to build a boy’s self-esteem, stretch
|
||
a boy’s creativity and imagination, and incorporate the purposes of Cub Scouting. These
|
||
“boy-tested” crafts have been used successfully by dens and packs across the country.
|
||
Why We use Crafts The Cub Scout Leader Book provides some excel-
|
||
lent tips for leaders working with boys on craft
|
||
projects. In addition, the following steps will help
|
||
As Cub Scouts work on craft projects, they not only leaders teach crafts:
|
||
learn to make useful items but also get valuable expe-
|
||
1. Choose a project with the help of the boys. Make
|
||
rience in using and caring for basic tools and materi-
|
||
sure the project is something that has a purpose
|
||
als, learning to follow directions, using their imagina-
|
||
and that they will enjoy making.
|
||
tions, and developing coordination and dexterity.
|
||
2. Make a pattern, if needed. Have enough pattern
|
||
Crafts can help leaders develop the monthly theme pieces available so that boys don’t have to wait to
|
||
in den and pack meetings and tie the activities of the trace them.
|
||
whole month together. Craft projects can be used for
|
||
3. Make a sample to show the boys, but remember:
|
||
advancement requirements or just for fun.
|
||
These are age-appropriate crafts for boys, so don’t
|
||
Making his own craft project calls for creativity in go overboard and make your sample too elaborate.
|
||
each boy. As he embarks on his project, he may need 4. Gather enough materials and tools so everyone
|
||
to measure, trace a pattern, cut or saw, sand, and can work at the same time.
|
||
assemble a project with nails, screws, or glue. Crafts
|
||
5. Teach the craft step by step:
|
||
develop boys’ ability to understand and satisfy their
|
||
• Cut out parts, as required.
|
||
urge to experiment. Furthermore, physical develop-
|
||
ment and mental growth are by-products of the craft • Put them together.
|
||
program. Muscle coordination comes from lifting, • Finish it (sand, polish, paint, etc.).
|
||
moving, sawing, drilling, hammering, and pound-
|
||
• Clean up.
|
||
ing. Painting helps improve arm and hand control.
|
||
6. Whenever possible, start a craft in a den meeting
|
||
Folding, cutting, shaping, filing, and sanding craft
|
||
that boys can finish at home with family help.
|
||
materials help develop eye and hand coordination.
|
||
Be sure, however, that the family is aware of the
|
||
As boys work with crafts, they learn to shape responsibility and has any instructions and mate-
|
||
materials into useful articles. While decorating them, rials necessary.
|
||
they also learn that useful things can be beautiful art.
|
||
7. Display the craft projects at a pack meeting.
|
||
They gain confidence to experiment with materials
|
||
and tools and learn new ways to do things. A com- Leaders should guard against crafts that are sim-
|
||
pleted craft project enables each boy to shout out “I ply “busywork” of the “cut-and-paste” type that are
|
||
did my best!” below the boys’ abilities and interests. Crafts should
|
||
be more than mere handwork: They should be a
|
||
creative outlet and a form of expression, as well as a
|
||
Teaching Crafts way to learn skills. By relating crafts to the monthly
|
||
theme, you give each boy a chance to live a new
|
||
to Cub Scouts
|
||
dream each month and to create the costumes, props,
|
||
and other items to help make that dream a reality.
|
||
The leader’s job is to stimulate each boy’s inter-
|
||
Sometimes, leaders think they need to have a craft
|
||
est and curiosity and to encourage him to try. It is
|
||
project at every den meeting. But remember that crafts
|
||
important to allow the boy to create and be proud of
|
||
are only one of many activities used to accomplish
|
||
his creation. He is making more than just “things”; he
|
||
the purposes of Cub Scouting. Overemphasizing crafts
|
||
is building his mind, body, and future.
|
||
may discourage boys whose interests and abilities
|
||
All Cub Scout leaders have different backgrounds lean in other directions.
|
||
and experiences, so their knowledge of craft tech-
|
||
niques and tools will vary. Those with limited expe-
|
||
rience may enlist parents and other adults to teach
|
||
specific techniques or to provide materials and tools.
|
||
Crafts 2–1
|
||
|
||
--- PAGE 26 ---
|
||
meaSurIng reSultS resources for
|
||
Adults judge their own projects differently from Craft Materials
|
||
boys. Adults judge the excellence of the workmanship
|
||
and the quality of the project. This is because adults
|
||
Materials for crafts should be simple and inexpen-
|
||
have had more time to develop skills, manual dexter-
|
||
sive. In most cases, you can find scrap materials for
|
||
ity, and knowledge. A boy does handicrafts for fun.
|
||
crafts around the home.
|
||
His effort should be measured by his own standards.
|
||
Leaders and family members need to see the boys’ Most communities have many resources for craft
|
||
efforts through the eyes of a Cub Scout–age boy. This materials. Although you may have to purchase some
|
||
requires understanding, patience, and a willingness to specialized items at craft and hobby stores, you can
|
||
invest time in working with boys. Each boy is expect- acquire most through salvage and surplus or dona-
|
||
ed to do his best, and each boy’s best is different. tion. Check telephone directories and begin looking
|
||
for places where you might be able to obtain alumi-
|
||
To help measure the value and success of den and
|
||
num foil, burlap, canvas, clay, cord, floor covering,
|
||
pack craft projects, ask yourself the following ques-
|
||
leather and vinyl scraps, nails, paper bags, plastic
|
||
tions:
|
||
rope, sandpaper, spools, etc.
|
||
• Are the boys learning things that will be helpful to
|
||
Here’s a “starter” list of possible resources for
|
||
them later?
|
||
craft materials. Most of the sources listed have scrap
|
||
• Do the craft projects reflect the interests and abili-
|
||
that is available for the asking, or at minimal cost.
|
||
ties of Cub Scout–age boys?
|
||
Keep your eyes and ears open for the endless list
|
||
• Do the den and pack craft projects help create the of “beautiful junk” available for recycling into Cub
|
||
opportunity for more family activity? Scout crafts.
|
||
• Do the boys enjoy working on crafts? • lumber company: Wood scraps, sawdust, and
|
||
• Do they have adequate working space, tools, and curls of planed wood may be given away by the
|
||
materials? boxload. Make your contact and request, and then
|
||
leave a marked box to come back for later.
|
||
• Are the boys given an opportunity to use their own
|
||
initiative and imagination in planning and making • grocery Stores: Check grocery stores for boxes of
|
||
projects? all sizes and shapes. Discarded soft drink cartons
|
||
are excellent for holding paint cans.
|
||
helPIng the boy • telephone company: Empty cable spools make
|
||
great tables; use old telephones as props for skits;
|
||
• Encourage the natural creative urge in each boy. If
|
||
use colorful telephone wire for many different
|
||
you don’t, the urge may disappear and be replaced
|
||
projects.
|
||
by lack of confidence in his own abilities.
|
||
• Soft drink company: Plastic soft drink crates may
|
||
• Through praise, you can help the boy build self-
|
||
be available at a minimal charge. Use them for
|
||
confidence in his abilities.
|
||
storage or for projects. Also, use plastic six-pack
|
||
• Learning by doing is important.
|
||
rings for various projects.
|
||
• Show enthusiasm for the boy’s progress. Don’t be
|
||
• Ice cream Stores: Use empty 3-gallon cardboard
|
||
overly critical.
|
||
containers for wastebaskets and storage.
|
||
• Show him how—but don’t lose patience and take
|
||
• medical laboratories: Ask for clean paraffin and
|
||
a tool away from him because you can do it better
|
||
tongue depressors.
|
||
or faster. This will discourage him and destroy his
|
||
• gas Stations and garages: Tires and bike tubes are
|
||
self-confidence.
|
||
great for games and obstacle courses.
|
||
• Be patient. Remember: Boys may have to be shown
|
||
• Wallpaper Stores: You’ll find wallpaper sample
|
||
over and over how to use a tool.
|
||
books of discontinued patterns.
|
||
• Be tactful. Offer your help during difficult parts of
|
||
• carpet Stores or outlets: Discontinued rug sam-
|
||
a job by saying, “Let’s work on this part together.”
|
||
ples and soft foam underpadding can add to craft
|
||
projects.
|
||
2– 2 Crafts
|
||
|
||
--- PAGE 27 ---
|
||
• tile Stores: Use broken mosaic tiles for many craft • Corrugated cardboard—for stage props and scen-
|
||
projects. ery, bulletin board, shields, swords
|
||
• appliance Stores and furniture Stores: Large • Ice cream cartons (3-gallon)—for trash cans, drums,
|
||
packing crates are handy for skit props and puppet masks
|
||
theaters. • Ice cream spoons—for mixing paint, spreading
|
||
• newspaper companies: Ask about end rolls of paste, figures
|
||
newsprint. • Jars—for containers for paint, paste, and brushes;
|
||
• Printing companies: You can never have too much decorate them for gifts.
|
||
scrap paper and cardstock. • Juice-can lids—for tin punch projects, awards
|
||
• Pizza restaurants: Cardboard circles are good for • Leather or vinyl scraps—for key chains, book-
|
||
making shields and other craft projects. marks, neckerchief slides, coin purses
|
||
• upholstery Shops and drapery Shops: You’ll find • Macaroni—for stringing for jewelry, pictures, and
|
||
a wide variety of fabric and vinyl scraps. frames
|
||
• Picture framing Shops: Leftover mat boards make • Margarine tubs—for storing small objects (lids can
|
||
great awards or bases for other projects. be used like flying saucers in games)
|
||
• Newsprint—for covering tables, papier-mâché, flip
|
||
uSIng Salvage
|
||
chart, growth charts, large backgrounds and scenery
|
||
Many items that are destined for the trash can be • Old shirts or pajama tops—for paint smocks (cut
|
||
used for Cub Scout craft projects. Ask families to be off the sleeves), costumes
|
||
on the lookout for scrap materials. If you live in a
|
||
• Paper bags and old socks—for hand puppets
|
||
community that has a manufacturing company near-
|
||
• Paper plates—for plaques, masks, games
|
||
by, you may be surprised at the scrap wood, plywood
|
||
cutoffs, and odd pieces of metal, cardboard, leather, • Paper towels—for papier-mâché, clean up
|
||
and plastics that you can get just by asking. Ask • Pipe cleaners—for simple sculptures
|
||
families to save things such as tin cans; the cardboard
|
||
• Plastic water bottles and milk jugs—for planters,
|
||
rolls inside paper towels, toilet paper, and wrapping
|
||
games, costumes
|
||
paper; boxes; tree branches; plastic bottles; buttons;
|
||
• Shelf paper—for finger painting
|
||
cloth; pinecones; and wire hangers.
|
||
• Soap bars—for carving
|
||
Here’s a partial list of useable scrap materials:
|
||
• Sponges—for painting, printing, clean up
|
||
• Bottle caps—for Christmas tree ornaments, foot
|
||
• Straws—for holiday decorations, party favors,
|
||
scrapers, wheels, construction projects, markers
|
||
games
|
||
for games
|
||
• Tin cans—for metal work, storage containers,
|
||
• Bottles—for musical instruments, containers
|
||
planters
|
||
• Broom handles—as dowels for projects
|
||
• Tongue depressors and craft sticks—for mixing
|
||
• Cardboard cartons—for construction projects,
|
||
paint, modeling tools
|
||
stage props, puppet stages, storage
|
||
• Wallpaper—for book covers, paper for painting
|
||
• Catalogs—for decorations, designs, cutouts
|
||
• Wrapping paper—for murals, painting
|
||
• Clothespins—for human figures, fastening items
|
||
• Yarn—for hair for wigs and puppets, holiday
|
||
together, games
|
||
ornaments
|
||
• Coat hangers—for wires for mobiles and other con-
|
||
structions, skeletons for papier-mâché work
|
||
• Coffee/juice cans—for storage, planters, games
|
||
• Coloring books—for patterns for name tags, etc.
|
||
Patterns can be enlarged for craft projects.
|
||
Crafts 2–3
|
||
|
||
--- PAGE 28 ---
|
||
How-To Tips Painting Wood: It is best to give raw wood a coat of
|
||
wood sealer or thin shellac before painting to prevent
|
||
the paint from soaking into the wood.
|
||
tIPS for PaIntIng
|
||
Spray Painting: A spray bottle works well for
|
||
acrylics: Jar acrylic is more economical, but acryl- spray-painting large items. Use diluted tempera or
|
||
ic paint is also available in tubes. It can be thinned poster paint. If using commercial spray paints, be
|
||
with water. Brushes clean easily with water. Acrylics sure to read the label and follow any instructions.
|
||
are nontoxic, good for painting almost anything, and
|
||
don’t need a finishing coat. tIPS for adheSIveS
|
||
tempera: Water-based paints such as tempera are • To save money, buy white glue in quart sizes and
|
||
great for Cub Scouts. Powdered paint is more eco- pour into small glue containers for the boys.
|
||
nomical but messier. Mix powdered tempera with • To make heavy-duty glue, mix cornstarch with
|
||
water and add a little liquid starch, which helps the white glue until the mixture is as thick as
|
||
paint go further and not run. desired.
|
||
cleaning brushes: Different paints need different • For small glue jobs, put glue in bottle caps and let
|
||
cleaners. For tempera, poster paint, or acrylics, use boys use toothpicks or cotton swabs.
|
||
water. The boys can clean up after using these paints; • Clear silicone is the best glue for plastic bottles
|
||
adults should supervise cleanup for other media. To and milk containers. It is available at hardware
|
||
clean varnishes, oils, or enamels, use turpentine, stores and requires adult supervision.
|
||
mineral spirits, or kerosene. For shellac, use shellac
|
||
• Egg white is a good adhesive for gluing kite paper.
|
||
thinner. For model paint, use the recommended thin-
|
||
It is strong and weightless.
|
||
ner. For lacquer, use lacquer thinner. These solvents
|
||
• Tacky white glue is the best adhesive for plastic
|
||
are flammable and should be used outside and well
|
||
foam. A little goes a long way.
|
||
away from sparks and flames. Adequate ventilation
|
||
is required when working with any of these paints or • Wheat paste (wallpaper paste) is a good paste for
|
||
solvents. papier-mâché. Flour and water make a good paste
|
||
too.
|
||
finishing coats: Objects painted with tempera or
|
||
• Masking tape and cellophane tape can be used
|
||
poster paint will have a dull finish and will not resist
|
||
successfully in many projects.
|
||
moisture. For a shiny finish and for protection, spray
|
||
with clear plastic or clear varnish, or finish with a
|
||
more tIPS
|
||
coat of diluted white glue. Acrylic paint does not
|
||
need a finishing coat. • Stuffing for Puppets: Use plastic bags or old nylon
|
||
stockings.
|
||
Paintbrush Substitutes: For large items such as
|
||
• cutting Plastic foam: Some types can be cut with
|
||
scenery, use a sponge dipped in tempera. For small
|
||
a serrated knife or an electric carving knife. Please
|
||
objects, use cotton swabs.
|
||
note that adults should perform this procedure.
|
||
Painting Plastics: For painting plastic milk con- On heavier types, adults might use a coping saw
|
||
tainers or bottles, mix powdered tempera with liquid or jigsaw.
|
||
detergent instead of water or starch. The paint will
|
||
• Punching holes in Plastic: Use an awl or hole
|
||
adhere better.
|
||
punch. A leather punch will work on most vinyl.
|
||
Painting Plastic foam: Some types of paint will Adult supervision is mandatory.
|
||
dissolve plastic foam, so only use one that is recom-
|
||
mended. Test it first on a scrap.
|
||
2– 4 Crafts
|
||
|
||
--- PAGE 29 ---
|
||
Theme Crafts with lots of good ideas. And boys will have more fun
|
||
making something they thought of themselves.
|
||
During some months, all boys in the den and pack
|
||
Consider each monthly theme for its craft possi-
|
||
may be working on the same things, such as when
|
||
bilities. In addition to the ideas found in this book,
|
||
the pack is preparing for a pinewood derby, raing-
|
||
Cub Scout Program Helps, the Webelos Leader Guide,
|
||
utter regatta, or space derby. The cars, boats, and
|
||
and monthly roundtables are loaded with ideas. If
|
||
rockets for those events, however, are youth-adult
|
||
the projects are fun, the boys will want to do them.
|
||
projects, and boys don’t work on them during den
|
||
A leader may suggest wide project areas and give meetings. During these times, boys could work on
|
||
the boys greater freedom of choice and an oppor- decorations for the event.
|
||
tunity to use their imaginations. For example, the
|
||
Theme crafts may include costumes, ceremony
|
||
theme “Things That Fly” might produce kites, glid-
|
||
boards, game equipment, props for skits, gifts, dec-
|
||
ers, planes, boomerangs, or even flying insects. Ask
|
||
orations, toys, inventions, conservation projects,
|
||
a boy what knights remind him of and you’ll have
|
||
nature items, and more. The following list will give
|
||
everything from slaying dragons to building castles.
|
||
you some ideas on general theme topics. You’ll find
|
||
If boys have an opportunity to talk about a theme
|
||
details for many of the ideas throughout this book.
|
||
and what they would like to make, they will come up
|
||
fItneSS Water/boatS PIoneerS nature
|
||
• Fitness equipment • Model boats • Costumes • Birdhouses
|
||
• Beanbag toss • Water wheel • Homemade soap • Bird feeders
|
||
• Puddle jumpers • Waterscope • Homemade butter • Insect net
|
||
• Fitness chart • Raft churn • Terrariums
|
||
• Stilts • Puppets • Bird treats
|
||
health/Safety • Quill pen and ink • Box garden
|
||
SPace/future • Posters • Model fort • Collection boxes
|
||
• Rockets • Home fire escape plan • Old-time games • Plaster casts
|
||
• Space shuttle model • Emergency road signal
|
||
• Leaf prints
|
||
faIr/cIrcuS
|
||
• Flying saucer • Traffic signs
|
||
• Ant farm
|
||
• Launching pad • First aid kit • Midway games
|
||
• Robot • Nutrition chart or • Performer costumes ScIence
|
||
• Radarscope Food Guide Pyramid • Animal costumes • Inventions
|
||
• Space station model • Musical instruments • Electric games
|
||
knIghtS
|
||
• Star map • Masks • Barometer
|
||
• Costumes
|
||
• Puppets • Rain gauge
|
||
tranSPortatIon • Family crest • Noisemakers • Science projects
|
||
• Pinewood derby car • Banners/flags • Prizes • Telegraph
|
||
• Pushmobile • Castle model • Banner/flags • Electric buzzers
|
||
• Airport • Teeterboard jousting
|
||
• Weather vane
|
||
• Glider • Dragon
|
||
• Model train communIcatIonS
|
||
• Cubmobile • Tin can telephone
|
||
• Model cars • Secret codes
|
||
• Model planes • Telephone directory
|
||
• Helicopter cover
|
||
• Telegraph
|
||
• E-mail directories
|
||
Crafts 2–5
|
||
|
||
--- PAGE 30 ---
|
||
Safety rules for • Adults should unplug all electrical tools when
|
||
they are finished and put them out of reach of chil-
|
||
the use of Tools
|
||
dren. Don’t leave any tool unattended. Remember:
|
||
Power tools are not to be used by Cub Scout–age
|
||
What is safe for one Cub Scout may be unsafe boys.
|
||
when two or more Cub Scouts are around. Any work-
|
||
• Adults who choose to use power tools should
|
||
shop must have rules governing the use of tools. Den
|
||
always unplug electrical tools when changing saw
|
||
tools include scissors, markers, low-temperature glue
|
||
blades, drill bits, or other attachments.
|
||
guns, and other craft items—not just hammers and
|
||
• Keep tools sharp, clean, and oiled.
|
||
saws.
|
||
Because accidents are usually caused by the
|
||
enlarging Patterns
|
||
improper use of tools, take time to teach each boy
|
||
the right way to use a tool and how to take care of it.
|
||
Remind him that cleaning up and putting away tools You can enlarge the patterns found in this book
|
||
and materials are part of the job. Make sure tools and and elsewhere as needed. The easiest way to enlarge
|
||
materials are easy to reach and replace. patterns is to make a copy on a commercial copy
|
||
• An adult should be present when a Cub Scout uses machine and enlarge by the desired percentage.
|
||
any type of tool.
|
||
Several types of projectors also will make enlarge-
|
||
• Use each tool for the job it is made for and the way ments. To use an overhead projector, trace over the
|
||
it was intended to be used. (So, for instance, never design you wish to enlarge, using thin plastic (such
|
||
use a screwdriver to pry or pound.) as notebook page protectors) and the special marking
|
||
• Never use a tool with a dull cutting edge, dull bit, pens designed for use on plastic. Place the plastic
|
||
or loose part. sheet on the overhead projector “bed,” and you can
|
||
enlarge it to almost any size. This is especially help-
|
||
• Most accidents occur to the hands, face, or feet.
|
||
ful in making posters and other wall hanging–sized
|
||
Protect the eyes. Keep fingers and hands away
|
||
drawings.
|
||
from the cutting edges of tools. Secure or clamp
|
||
down wood that is being worked on. Tracing of original small
|
||
drawing on 1-by-1-inch grid
|
||
• Be patient and never use force. Don’t work with
|
||
tools when you are tired; you need to be alert.
|
||
• Don’t wear loose clothing or jewelry, which can be
|
||
caught in moving parts.
|
||
• Keep the work area clean, dry, and well-lit.
|
||
• Never use electrical tools (such as a low-tempera-
|
||
ture glue gun) in damp or wet locations. Note: It
|
||
is best to use only simple hand tools and avoid
|
||
power equipment when working with Cub Scout–
|
||
2-by-2-inch block
|
||
age boys. Adults, however, might wish to use a
|
||
in larger grid
|
||
power tool to precut pieces of a project for younger
|
||
Cub Scouts.
|
||
• Use only heavy-duty extension cords. Don’t use
|
||
the type of extension cord that is intended for
|
||
small appliances.
|
||
• If an electrical cord has a plug with three prongs,
|
||
you should plug it into a three-hole receptacle
|
||
(outlet). If you use an adapter on a two-hole out-
|
||
let, you must attach the adapter wire to a known
|
||
ground (the screw in the middle of the outlet cov-
|
||
erplate).
|
||
• Don’t abuse tool cords by carrying tools by the
|
||
cord or by pulling a plug by yanking on the cord. If
|
||
the cord is frayed, don’t use the tool until the cord
|
||
is repaired.
|
||
Copy smaller drawing onto
|
||
larger grid block by block.
|
||
2– 6 Crafts
|
||
|
||
--- PAGE 31 ---
|
||
You can make craft storage boxes out of any mate-
|
||
rial as long as they meet your needs. Sort craft mate-
|
||
rials by using an egg carton. A heavy-duty cardboard
|
||
box that 10 reams of paper come in is also excel-
|
||
lent for storage. Cut handholds, and then paint or
|
||
cover with colorful adhesive-backed paper if desired.
|
||
Another favorite is a plastic fishing tackle box.
|
||
handy tote box
|
||
This sturdy box will carry a lot of weight. Make it
|
||
from two identical cardboard cartons.
|
||
Cut one box in half, along
|
||
sides and bottom. Turn
|
||
Portion of larger grid showing pieces so that open sides
|
||
how to sketch block by block are on the outside and
|
||
uncut sides are touching.
|
||
enlargIng PatternS by hand
|
||
Tape together.
|
||
Here’s a good method for enlarging patterns by
|
||
hand. Use a ruler, tracing paper, pencil, and these
|
||
simple directions:
|
||
1. Place tracing paper over the design you want to
|
||
enlarge. Mark the design’s outer limits.
|
||
2. Using these limits as guides, draw parallel hori-
|
||
zontal and vertical lines on the paper to create a
|
||
grid. With a ruler, make the lines the same dis-
|
||
tance apart (depending on the size and detail of
|
||
Cut out an opening
|
||
the pattern).
|
||
for handle through
|
||
3. Letter each top square; number them down the both sections.
|
||
left side.
|
||
Place inside of second
|
||
4. Tape the grid over the original design and trace
|
||
carton. (It will be a tight
|
||
the pattern onto the grid.
|
||
fit and may need trim-
|
||
5. Decide how much of an enlargement you need.
|
||
ming.) Cut as shown to
|
||
Draw another grid with larger squares to the total
|
||
shape the sides.
|
||
width and length of the new pattern. Letter and
|
||
number the new grid in the same manner.
|
||
6. Copy the lines of the pattern into their exact posi-
|
||
tions in each square of the larger grid.
|
||
Managing Den Supplies
|
||
Boys will take pride in a meeting place that is con-
|
||
Finish cut edges where the two
|
||
sistently well-organized. You’ll find that craft tools
|
||
boxes meet and around handle
|
||
and items can easily get out of hand, so a den craft
|
||
hole by covering with masking or
|
||
storage box is a good idea—both for organization and
|
||
duct tape. Paint or otherwise
|
||
so that needed craft items are always available. Fill
|
||
decorate as desired.
|
||
it with feathers, paper plates, puzzles, table tennis
|
||
balls, tennis balls, balloons, assorted buckets and
|
||
jars, paper bags, straws, and string. Also keep glue,
|
||
scissors, markers, beads, and other craft items on
|
||
hand. Make pencil cans from frozen orange juice or
|
||
other similarly sized cans and keep them in the den
|
||
craft storage box.
|
||
Crafts 2–7
|
||
|
||
--- PAGE 32 ---
|
||
PerSonal Storage bench 4. Put the following on the heavy pin (or a thin nail)
|
||
in this order: plastic disk, wooden bead, the pin-
|
||
Each boy could have his own storage bench for
|
||
wheel corners in the order they are numbered,
|
||
pencils and crayons, incomplete projects, etc. Make
|
||
center of pinwheel, plastic disk, and wooden
|
||
from 1-inch shelving as shown in the illustration.
|
||
bead.
|
||
Each boy and an adult can build and decorate one
|
||
5. Push or tap the pin through the dowel or pencil.
|
||
in their own style. This can be the boy’s seat at den
|
||
meetings as well as holding his tools and materials.
|
||
baloo and kaa PaPer ProJectS
|
||
And these benches will stack for easy storage.
|
||
Make the Baloo finger puppet and Kaa hanger from
|
||
71⁄2˝ 20˝ heavy cardstock. Enlarge the patterns as needed, and
|
||
run off one pattern per boy on a copy machine or
|
||
End Top
|
||
9˝
|
||
(make (make one) trace on posterboard. Boys can cut out and color and
|
||
two)
|
||
18˝ 2˝ decorate as they want. Decorate Kaa with stripes,
|
||
2˝ 20˝ spots, and diamond patterns. Cut out finger holes for
|
||
Sides Baloo’s “legs” (younger boys may need help cutting
|
||
71⁄2˝ (make two)
|
||
out the finger holes).
|
||
2 strap hinges 24˝
|
||
221⁄2˝
|
||
Bottom
|
||
71⁄2˝ (make one)
|
||
1˝ x 1˝ x 9˝ braces
|
||
Paper Crafts
|
||
Paper can be a great medium for simple craft proj-
|
||
ects. These can be used for gathering times or filler
|
||
time, or as a den craft project. They are easy and
|
||
inexpensive, and boys will enjoy them.
|
||
PInWheel
|
||
Materials: 5-inch square of heavy paper, long
|
||
heavy pin, two wooden beads, two plastic disks,
|
||
dowel or pencil
|
||
1. On a 5-inch square of heavy paper, draw diagonal
|
||
lines from corner to corner as shown.
|
||
2. Cut on the lines to within 1⁄-inch of the center.
|
||
4
|
||
3. Punch holes in the center and the corners.
|
||
Disk
|
||
Disk
|
||
Bead Bead
|
||
5˝
|
||
1⁄4˝ uncut
|
||
5˝
|
||
2– 8 Crafts
|
||
|
||
--- PAGE 33 ---
|
||
WIndSock 6. Cover the front and back of the mat with clear
|
||
contact paper.
|
||
PaPer aIrPlane ProJectS
|
||
Paper airplanes are simple and always fun. An
|
||
excellent resource for flying crafts that use no glue
|
||
or cutting is The Gliding Flight: 20 Excellent Fold
|
||
and Fly Paper Airplanes, by John Collins (Ten Speed
|
||
Press, 1989).
|
||
Decorate this windsock to fit any theme. Use blue A Catapult Glider
|
||
streamers on gold paper for the blue and gold ban-
|
||
quet, or red and white streamers on blue paper for a Stabilizer
|
||
patriotic theme.
|
||
111⁄16˝
|
||
11⁄4˝ Score on
|
||
17⁄8˝
|
||
Materials: 4-by-16-inch paper, crepe paper bottom.
|
||
s s t t
|
||
1
|
||
r r
|
||
.
|
||
e i n a
|
||
B
|
||
g m
|
||
o
|
||
o
|
||
y
|
||
e r
|
||
s
|
||
r s y
|
||
d
|
||
a
|
||
e
|
||
c r
|
||
c
|
||
u n
|
||
o
|
||
t
|
||
r
|
||
1
|
||
a
|
||
i 2
|
||
t
|
||
n
|
||
e
|
||
i t n o
|
||
p
|
||
c
|
||
a
|
||
h 3
|
||
p
|
||
e -
|
||
e
|
||
f s o
|
||
r
|
||
l o
|
||
u
|
||
o t n
|
||
s i
|
||
g l
|
||
n
|
||
e
|
||
g
|
||
n g
|
||
m
|
||
th
|
||
a
|
||
s
|
||
r
|
||
,
|
||
k e
|
||
f
|
||
r
|
||
o
|
||
s
|
||
u
|
||
,
|
||
r
|
||
c r
|
||
p
|
||
ay
|
||
ie
|
||
o
|
||
c
|
||
n
|
||
e
|
||
s
|
||
s
|
||
, o
|
||
o
|
||
r
|
||
f 15⁄8˝ Bend up. 5˝ Sco
|
||
B
|
||
r
|
||
e
|
||
e
|
||
n
|
||
o d n d t o o w p n . .
|
||
15⁄16˝
|
||
stickers, leaving a 1⁄ 4 -inch edge. ⁄3 8˝ 5⁄16˝ Aileron
|
||
2. Make a cylinder with the paper, securing with Cut
|
||
43⁄4˝
|
||
transparent tape.
|
||
Eraser
|
||
Fuselage: Use a
|
||
3. Tape, glue, or staple streamers around the bottom 23⁄4˝ six-sided pencil
|
||
edge of the cylinder. with an eraser top.
|
||
4. Punch four evenly spaced holes around the top.
|
||
5. Tie one end of the strings through each hole, and
|
||
tie the other ends together to make a hanger for
|
||
the windsock.
|
||
m. u t
|
||
o C
|
||
kWanzaa mkeka t t Wing Pattern
|
||
Kwanzaa is a nonreligious holiday celebrated at ore o
|
||
n
|
||
B
|
||
b
|
||
e
|
||
o
|
||
n d
|
||
u p.
|
||
t
|
||
r
|
||
h
|
||
ef
|
||
e
|
||
l e
|
||
e
|
||
c
|
||
n
|
||
t
|
||
d
|
||
u
|
||
o
|
||
p
|
||
f
|
||
o
|
||
t
|
||
n
|
||
h e
|
||
t h
|
||
y
|
||
e
|
||
e
|
||
i
|
||
a
|
||
r
|
||
r
|
||
h
|
||
d
|
||
e
|
||
u
|
||
ri
|
||
r
|
||
t
|
||
i
|
||
a
|
||
n
|
||
g
|
||
g
|
||
e ,
|
||
w
|
||
f
|
||
h
|
||
a
|
||
i
|
||
m
|
||
ch
|
||
il i
|
||
A
|
||
es
|
||
fr
|
||
,
|
||
ic
|
||
a
|
||
a
|
||
n
|
||
n
|
||
d
|
||
A
|
||
co
|
||
m
|
||
m
|
||
e
|
||
m
|
||
ric
|
||
u
|
||
a
|
||
n
|
||
n
|
||
i
|
||
s
|
||
-
|
||
S
|
||
c
|
||
S
|
||
D
|
||
t
|
||
i
|
||
a
|
||
h
|
||
b
|
||
ed
|
||
ili
|
||
r
|
||
z
|
||
a
|
||
e
|
||
l
|
||
r
|
||
ties. One of the symbols of Kwanzaa is the mkeka, 11⁄16˝
|
||
or mat. Although preferably made out of straw, this Add nose weight: Wrap
|
||
six turns of wire solder.
|
||
woven paper mat will also fulfill its purpose. Rear view
|
||
Wing Notch
|
||
Materials: 10 strips of black construction paper,
|
||
2 by 24 inches; four strips each of dark yellow, deep Launching Pin: 1⁄2˝-20 wire nail
|
||
red, and forest green construction paper, 2 by 22
|
||
inches; transparent tape; clear contact paper This glider will take some time to make, but it will
|
||
be lots of fun and worth the effort.
|
||
1. Lay the black paper strips next to each other on a
|
||
flat work surface. Materials:
|
||
2. Run a piece of tape along the edge of the right new six-sided pencil with eraser
|
||
side to tape the strips together. Stiff cardboard (cereal box sides or posterboard)
|
||
1⁄-inch wire nail
|
||
3. Using the colored strips (the traditional colors 2
|
||
7 inches of 3⁄ -inch-diameter wire solder
|
||
of Kwanzaa), weave back and forth through the 32
|
||
model cement or craft glue
|
||
black base, one color at a time, alternating colors
|
||
5-inch length of another pencil or piece of
|
||
in any order.
|
||
dowel
|
||
4. Pull the ends of the color weaves to make the
|
||
one or two heavy rubber bands
|
||
edges straight.
|
||
1. Enlarge the pattern to the size indicated and trace
|
||
5. Run a second piece of tape along the left side to
|
||
onto the cardboard.
|
||
hold the strips in place.
|
||
Crafts 2–9
|
||
|
||
--- PAGE 34 ---
|
||
2. Cut out the wing and stabilizer. For more accu- 4. Make a pattern for the wing and trace its shape
|
||
rate cutting, use a modeler’s knife. Guide the cuts onto the tissue paper. Cut it out.
|
||
using a metal ruler as a straight edge. 5. To fly the helicopter wing, slide a paper clip
|
||
3. Notch the pencil 2 inches from the end. Score onto the wing. You may hand-launch the wing or
|
||
the bottom of the stabilizer on the centerline shoot it into the sky with a rubber band.
|
||
and bend up. Insert the stabilizer into the notch.
|
||
Check that the tips of the stabilizer wings are 13⁄ kIte ProJectS
|
||
16
|
||
inches from the bottom edge of the pencil.
|
||
Besides being fun, successful kite building and
|
||
4. Insert the launching pin (the 1⁄-inch wire nail) on
|
||
2 kite flying give boys a feeling of competence. Don’t
|
||
the bottom of the pencil about 11⁄ inches from the
|
||
2 worry about flaws in workmanship; in a simple kite,
|
||
eraser end.
|
||
they won’t make much difference. Refer to Elective
|
||
5. To add weight to the nose, wrap it with about six 5, “Spare-Time Fun,” in the Wolf Cub Scout Book for
|
||
turns of wire solder. more information about kites. Also see the chapter
|
||
6. Cut and score the ailerons at both ends of the “Special Pack Activities” in this book for kite derby
|
||
wing. Glue the wing to the top of the fuselage ideas and kite safety rules.
|
||
(pencil).
|
||
Two-Stick Flat Kite
|
||
7. To make a launching rig, notch the small pencil
|
||
or piece of dowel to hold the rubber band or
|
||
Materials: Wrapping
|
||
bands.
|
||
paper, strong plastic, or 30˝
|
||
8. To fly the glider, attach to the launching rig, aim cloth; 1⁄-by-3⁄-inch stick,
|
||
8 8
|
||
high, and let it go! If the glider dives out of its 36 inches long; 1⁄-by-
|
||
2
|
||
glide, remove some solder. If it stalls (repeatedly 3⁄-inch stick, 30 inches
|
||
8
|
||
swoops up, dives, and then swoops up again), long; white glue or rub-
|
||
add solder. Hold a glider contest to see whose ber cement; at least 100
|
||
glider goes the farthest! feet of kite string
|
||
1. Notch the sticks in
|
||
Helicopter Wing
|
||
the ends for fram- 36˝
|
||
Strut ing strings. Tie the
|
||
Pattern sticks together at right
|
||
angles.
|
||
2. Run the framing string
|
||
Wing
|
||
17⁄8˝ around the kite, through
|
||
the notches, and tie the
|
||
ends together to complete your frame.
|
||
3. Measure and cut the frame cover (wrapping
|
||
47⁄8˝ paper, plastic, or cloth) with a 1-inch overlap all
|
||
Paper clip around, except at the sticks, as shown.
|
||
Materials: thin card-
|
||
4. Lay the frame over the “skin” and fold all the
|
||
board (from file folder
|
||
flaps over the frame. Check for fit. Glue down
|
||
or posterboard), tis-
|
||
one flap at a time.
|
||
sue paper, paper
|
||
5. The lengthwise bridle string should be about 40
|
||
clip, 3⁄-inch-wide
|
||
4
|
||
inches long; the crosswise string, about 34 inches
|
||
transparent sticky
|
||
long.
|
||
tape, rubber band
|
||
6. For a tail, tie 4-by-6-inch tissue paper bows about
|
||
1. Enlarge the
|
||
6 inches apart on an 8-foot string.
|
||
pattern to the
|
||
size indicated. 7. If the kite dances too much or is too sluggish,
|
||
add or reduce the length of the tail to correct the
|
||
2. Trace the wing strut on the thin cardboard and
|
||
kite’s flight.
|
||
cut it out.
|
||
3. Place the strut on the tissue paper. Cover com-
|
||
pletely with 6-inch strips of sticky tape, over-
|
||
lapping them by 1⁄ inch. Be sure to press down
|
||
16
|
||
firmly to ensure a good bond.
|
||
2– 10 Crafts
|
||
|
||
--- PAGE 35 ---
|
||
Tissue Paper Kite other side, holding it taut until it dries. Glue
|
||
paper reinforcements over the intersections of
|
||
Fold to 2 the reeds midway between the center and corners
|
||
1 Back front.
|
||
(illustration 4). Then turn over kite.
|
||
Paper
|
||
strips 6. Tie the bridle string over the intersection of the
|
||
12˝
|
||
bamboo reeds and then over the center reed 2
|
||
5˝ inches up from the base of the kite. Set the angle
|
||
of the bridle by tying a loop in the string, as
|
||
2˝ shown (illustration 5).
|
||
7. To find the correct flying angle, hold the kite by
|
||
Center
|
||
12˝ reed the bridle over a table. The center reed (spine) of
|
||
2˝ the kite should be tilted upward at about a 15-
|
||
Fold up.
|
||
Paper degree angle from the horizontal. Add the four
|
||
reinforcements crepe paper tails as shown.
|
||
3 4
|
||
Arch
|
||
reed
|
||
Star Kite
|
||
A
|
||
Two-Stick
|
||
5 Three-Stick B
|
||
Front
|
||
Bridle
|
||
Broken lines
|
||
indicate strings.
|
||
C
|
||
Materials:
|
||
12-by-12-inch tissue paper square and scraps
|
||
four 2-inch-by-5-foot strips of crepe paper
|
||
rubber cement (or egg white)
|
||
matchstick-thick bamboo reed
|
||
Scissors, pencil, ruler
|
||
22-inch lightweight string (bridle)
|
||
1. Cut the bamboo reed into two pieces, one 22
|
||
inches long and the other 15 inches long.
|
||
2. Crease the 12-by-12-inch square of tissue paper
|
||
on the broken lines as shown in illustration 1.
|
||
Equal length of
|
||
bridle legs
|
||
3. Glue the 15-inch center reed in place by covering
|
||
fastened at
|
||
with a strip of scrap tissue paper. Trim the reed if A, B, C come together at kite string.
|
||
necessary. Glue the bottom flap up over the cen-
|
||
ter reed and a narrow strip of paper over the tip,
|
||
folding the corners of this strip to the front to act
|
||
You can make two- and three-stick kites in a star
|
||
as reinforcement (see illustration 2).
|
||
shape as shown. The sticks are the same length. Tie
|
||
4. Measure and cut the reed for the arch to fit
|
||
them together and use string as shown. Glue on a
|
||
as shown in illustration 3. Be sure the reed is
|
||
paper cover. A tail, attached to one of the star points,
|
||
strong, with a good natural curve.
|
||
is needed to balance these designs. Use a three-leg
|
||
5. Glue the left and right corner flaps over the bridle and attach the kite line.
|
||
arched reed (illustration 4). For best results, glue
|
||
on one side first and let it dry, and then glue the
|
||
Crafts 2–11
|
||
|
||
--- PAGE 36 ---
|
||
Kite Messenger 3. Make tape ringlets by folding a 2-inch piece of
|
||
sticky tape lengthwise, sticky side out. Cut into
|
||
1⁄-inch rings.
|
||
4
|
||
4. Place two ringlets on each of the straws and one
|
||
ringlet on the nose piece, as shown. Place the
|
||
straws, ringlets down, onto the plastic food wrap.
|
||
Tape Cut around the straws as shown using a straight
|
||
edge and blade, allowing about 3⁄ inch extra on
|
||
4
|
||
all sides. Fold the extra width over the straws
|
||
and tape down.
|
||
5. Attach the pilot to the center straw about 2 inch-
|
||
es from the nose piece. Fly your kite and watch
|
||
Cut your hang glider fly!
|
||
Cut a small hole in the center of a square of paper,
|
||
with a slit to one edge, as shown. Slip the paper over
|
||
Nose piece pattern
|
||
the kite flying line and tape the slit shut. The wind
|
||
will blow the messenger up the kite. To have a kite
|
||
messenger race, all players send their kites up to a
|
||
specific length of line—perhaps 50 yards. The mes- Pilot pattern
|
||
senger is then attached to the flying line and allowed
|
||
to move up to the kite. The boy whose messenger
|
||
reaches his kite first wins.
|
||
Hang Glider
|
||
This hang-gliding guy is easy to make, and boys
|
||
will enjoy his antics in the wind.
|
||
Nose piece
|
||
Straw
|
||
Folded pilot
|
||
Straws Tape ringlets
|
||
Straws
|
||
Materials: transparent cellophane tape; thin
|
||
plastic food wrap; three plastic soda straws, 1⁄-inch
|
||
8
|
||
in diameter; plastic lid from margarine tub; card-
|
||
stock or heavy paper
|
||
1. Trace the shape of the nose piece on the plastic Cutline
|
||
lid. Cut out the nose piece and insert into three
|
||
straws of equal length. The nose piece should fit
|
||
tightly for better wing support and better flight.
|
||
Plastic
|
||
2. Trace the pattern for the pilot onto heavy paper food
|
||
wrap
|
||
and cut it out. Fold the feet forward and the top
|
||
down on the dotted lines as shown.
|
||
2– 12 Crafts
|
||
|
||
--- PAGE 37 ---
|
||
Papier-Mâché 1. Mix wallpaper paste according to package direc-
|
||
tions. (It should be the consistency of pea soup.)
|
||
Papier-mâché is a modeling material made by 2. Tear (don’t cut!) newspaper strips about 1 to
|
||
mixing wallpaper paste with absorbent paper, such 11⁄ 2 inches wide. The frayed edges will blend
|
||
as newspaper, paper towels, paper napkins, or tis- smoothly. Use wider strips for larger objects.
|
||
sue. Cub Scouts love the messiness of papier-mâché, 3. Dip the strips into the paste and run them
|
||
and you shouldn’t hesitate to tackle it because boys through your fingers to remove excess paste.
|
||
can make some useful items—such as trays, bowls,
|
||
4. Lay them over the framework, overlapping and in
|
||
animals, figures, relief maps, napkin rings, masks,
|
||
different directions. It is usually best to let each
|
||
candleholders, and wastebaskets. Just spread around
|
||
layer dry before applying another. You can use
|
||
lots of newspapers for protection and cover the boys’
|
||
alternate layers of regular newspaper and colored
|
||
uniforms with old shirts.
|
||
comic strip paper so missed spots will show eas-
|
||
ily. The number of layers needed will depend on
|
||
what you are making and how strong you need it
|
||
to be. A final coat of torn paper towel strips will
|
||
hoW-to tIPS for PaPIer-mâché
|
||
give an even textured surface for painting.
|
||
• When using papier-mâché on an object that
|
||
5. Place the object in a room where warm air circu-
|
||
needs to be removed after the papier-mâché
|
||
lates to let it dry.
|
||
dries (bowl, vase, etc.), first oil or grease the
|
||
object so the dried papier-mâché shell will slip
|
||
WaStebaSket
|
||
off easily. Petroleum jelly works very well.
|
||
• Count on a papier-mâché project lasting Materials: 3-gallon cardboard ice cream carton,
|
||
through several den meetings. waxed paper, newspaper and paste for strip papier-
|
||
mâché, gesso (for undercoat if using tempera paint),
|
||
• Let objects air-dry when possible. Heat tends
|
||
paint
|
||
to make papier-mâché shrink and buckle.
|
||
• Sand objects for a smooth finish before
|
||
painting. A final finish can also be made
|
||
by covering with papier-mâché made from
|
||
paper toweling.
|
||
• Painting papier-mâché: If using tempera
|
||
paint, give the project an undercoat of gesso
|
||
or thinned white latex paint first. Tempera-
|
||
painted objects should be sprayed with a
|
||
clear plastic finish or clear varnish for a
|
||
protective overcoat. Acrylic paint does not
|
||
require a base coat. You can also use house-
|
||
hold enamel or latex paint.
|
||
Set the carton on waxed paper. Completely cover
|
||
it with papier-mâché strips, as described above. Also
|
||
cover the inside of the carton. Only one or two coats
|
||
are needed because the carton itself is sturdy. Let
|
||
frameWork for PaPIer-mâché
|
||
it dry completely. Sand any rough edges. Paint and
|
||
You will need some type of framework—such as decorate as desired.
|
||
chicken wire, cardboard tubes or cartons, coat hang-
|
||
ers, or balloons—for working with papier-mâché. votIve candle holder
|
||
Make a small animal figure from a framework of
|
||
Here’s a simpler version of papier-mâché.
|
||
newspaper rolls or cardboard rolls taped together. Use
|
||
various sizes of balloons to make planets for a model Materials: Small glass jar, pieces of colored tissue
|
||
solar system. Mold larger items over a framework of paper, thin paste
|
||
chicken wire bent and crushed to the desired shape.
|
||
Cover the jar with a thin layer of paste. Press layers
|
||
of different colored tissue paper to cover the outside
|
||
StrIP PaPIer-mâché
|
||
of the jar. Take care to keep the jar translucent so light
|
||
This method is good for making large masks and can filter through when the candle is lit. Let the jar
|
||
stage props. dry. Then place a votive candle inside and light it for
|
||
soft, colorful light.
|
||
Crafts 2–13
|
||
|
||
--- PAGE 38 ---
|
||
maSkS 3. Insert a bent clothes hanger as a hanger for the
|
||
piñata. Cover with additional layers of papier-
|
||
Simple masks can dress up any skit.
|
||
mâché to hold it in place, and then let it dry.
|
||
Materials: 16-inch balloon, 36-inch-long heavy 4. After the piñata is completely dry, cut a hole in
|
||
string, newspaper and paper towel strips, wallpaper the back to remove the balloon and add wrapped
|
||
paste candy or party favors.
|
||
1. Inflate the balloon. Tie a knot in the end and 5. If desired, you can add a finishing touch of tis-
|
||
attach a string. Suspend the balloon by tying the sue paper curls. Fold 3-inch strips of colored
|
||
string to an object inside or outside. Be sure it tissue paper lengthwise and fringe as shown in
|
||
isn’t near anything that will cause it to burst. the illustration. Hold several strips together and
|
||
2. Cover the balloon with several layers of newspa- cut all at once. Turn the strips wrong side out so
|
||
per papier-mâché strips. Let it dry. they will fluff up. Wrap these around the piñata,
|
||
overlapping each row as you glue it on.
|
||
3. For an animal mask, add a framework for nose or
|
||
ears at this time. Use a paper cup or cardboard
|
||
roll for the nose, heavy cardboard for the ears.
|
||
Use masking tape to fasten these to the papier-
|
||
mâché–covered balloon, and then cover them
|
||
with paper towel papier-mâché strips.
|
||
4. When the mask is dry, cut out a hole large enough
|
||
so the mask fits over the head and remove the bal-
|
||
loon. Cut eye holes in the proper position. Cut out To use the piñata, hang it
|
||
a mouth or nose hole as needed. Also punch some from a tree or other object so
|
||
smaller holes in the back for air. it swings freely. Blindfolded boys take turns hitting
|
||
at the hanging piñata with a stick until it breaks and
|
||
5. Paint as desired. Add additional decorations,
|
||
the goodies fall out. For an added challenge, hang
|
||
such as yarn hair, a hat, etc.
|
||
the piñata from a cord or rope that someone can pull
|
||
on so that the piñata moves up and down, making it
|
||
PIñata
|
||
harder to hit!
|
||
Printing
|
||
With some simple printing methods, boys can
|
||
print holiday cards, party invitations, blue and gold
|
||
banquet program covers, flags and banners, T-shirts,
|
||
shields, table covers, and pictures. Only a few tools
|
||
and materials are required.
|
||
Printing can be done on paper, paper bags, fabric,
|
||
wood, and canvas using linoleum blocks, wood, wax,
|
||
sponges, vegetables and fruits, stencils, silkscreen,
|
||
crayons, and other items.
|
||
Piñatas are usually colorful animal shapes filled
|
||
with candy or toys and broken open at holiday or
|
||
birthday parties. For an entertaining awards ceremo- hoW-to tIPS for PrIntIng
|
||
ny, make an individual piñata from a 10-inch balloon
|
||
• If the design is to be permanent, such as on a
|
||
for each boy. Put his award inside and let him break
|
||
T-shirt or other fabric that will be laundered,
|
||
it open.
|
||
use a fabric paint, oil-based paint, or ink.
|
||
1. For the basic body, inflate a balloon and follow Acrylic paint will also work. Otherwise, use
|
||
the directions above for making a mask. The type tempera paint or water-based inks.
|
||
of animal or figure you are making will determine
|
||
• When printing T-shirts or other fabrics, be
|
||
the size and shape of the balloons. Two or three
|
||
sure to place a newspaper pad between the
|
||
layers of papier-mâché are adequate. Let dry.
|
||
front and back so the paint won’t run to
|
||
2. Tape on additional balloons and cardboard piec- other parts of the fabric.
|
||
es for head, legs, ears, wings, etc. Cover with two
|
||
layers of papier-mâché.
|
||
2– 14 Crafts
|
||
|
||
--- PAGE 39 ---
|
||
StamP Pad 3. Cut out the design and glue it to the
|
||
wood block. The design will print
|
||
Make your own stamp pad by gluing felt to the
|
||
the reverse of what you see on
|
||
bottom of a plastic foam tray (such as the kind cuts
|
||
the block, so if
|
||
of meat are on when wrapped at the grocery store) the design has Glue to wood block.
|
||
and soaking the felt with vegetable dye or food color-
|
||
lettering or a
|
||
ing. Be sure to cover your clothing and work area, as
|
||
specific right
|
||
Cut from craft
|
||
some dyes stain.
|
||
and left, glue foam or felt.
|
||
it to the block
|
||
rubbIngS
|
||
backwards. Let
|
||
the glue dry.
|
||
4. Press the block
|
||
firmly onto an
|
||
ink pad. Then press it firmly on paper or fabric.
|
||
Potato PrIntS
|
||
You can also use carrots, turnips, lemons, oranges,
|
||
and other vegetables and fruits for this simple print-
|
||
ing method.
|
||
Materials: large potato, scratching tool (pencil,
|
||
nail, toothpick), sharp-edged cutting tool (paring
|
||
knife or pocketknife), paper for printing, tempera
|
||
paint and paintbrush
|
||
1. Cover the work area with newspapers.
|
||
2. Cut the potato in half so that each surface is flat.
|
||
3. Use the scratching tool to scratch a design on the
|
||
potato or the cutting tool to cut out a design. Cut
|
||
This is one of the simplest printing methods. All away all parts that you don’t want to print. Blot the
|
||
you need is dark crayons, chalk, or pencil and thin surface of the potato to remove excess moisture.
|
||
paper 4. Brush the design with tempera paint. Stamp on
|
||
1. Find a surface with an interesting texture, such a newspaper or paper towel to remove
|
||
as leaves, tombstones, carved monuments, man- excess paint. If ragged edges appear
|
||
hole covers, or tree stumps. on the first imprint, cut away any
|
||
uneven parts of the potato that
|
||
2. Hold or tape the paper over the surface and
|
||
cause this.
|
||
rub hard with the side of the pencil, crayon, or
|
||
chalk. 5. Print the design on paper until
|
||
it begins to fade, then add
|
||
3. Frame your rubbing with a piece of posterboard
|
||
more paint and repeat.
|
||
or construction paper, or put it in a scrapbook.
|
||
Another good rubbing material is a heavy, black,
|
||
waxy mixture called heelball, available from shoe
|
||
repair shops.
|
||
block PrIntIng
|
||
Cub Scouts will enjoy making their own brands or
|
||
family crests from these simple materials.
|
||
Materials: Piece of craft foam or felt, printing ink
|
||
or paint, block of wood, white glue, paper or fabric
|
||
to print on
|
||
1. Cover the work area with newspapers.
|
||
2. Draw a design on paper and trace it on craft foam
|
||
or a piece of felt. Be sure that it will fit on the
|
||
block of wood.
|
||
Crafts 2–15
|
||
|
||
--- PAGE 40 ---
|
||
SPonge PrIntIng 3. The paper or fabric surface to be stenciled should
|
||
lie flat. The stencil should also lie flat so the
|
||
Materials: flat sponge about 1⁄ inch thick, felt-tip
|
||
2 paint won’t spread under the edges. Fasten the
|
||
marker, scissors, tempera paint, paper for printing
|
||
stencil to the printing surface with tape or pins
|
||
1. Draw a simple design on the sponge with the so it won’t move.
|
||
marker. Cut the sponge into this shape.
|
||
4. Beginning on the stencil near the cutout edge,
|
||
2. Wet the sponge and then squeeze the water out brush the paint, using a stiff brush, onto the fab-
|
||
thoroughly. ric or paper. Brush away from the stencil edges so
|
||
3. Dip the damp sponge in thin tempera paint and the paint won’t run underneath.
|
||
press it gently on the paper. The tiny holes on the
|
||
surface of the sponge will not print, but the areas
|
||
Wire, Bead, and
|
||
between the holes will leave an unusual design.
|
||
Plastic Crafts
|
||
StencIlS
|
||
Experiment with your stencils on scrap paper
|
||
frayed nerve
|
||
before trying your finished project.
|
||
Use this as a neckerchief slide
|
||
or pencil topper.
|
||
Materials: old telephone wire, wire strippers/
|
||
cutters, pencil
|
||
1. Strip off the wire cover from the telephone wire
|
||
so that you have small wires of different colors.
|
||
Cut 12 pieces of 30-inch-long colored wire.
|
||
2. Hold the wires together and twist them in the
|
||
middle.
|
||
3. Wrap the twisted part around your finger and
|
||
twist the ends together.
|
||
Materials: cardboard, sharp hobby knife or scis- 4. Wrap each wire end around a pencil in a tight
|
||
sors, thick paint (acrylic, latex, heavy tempera, or coil, and then gently slide the pencil out. Repeat
|
||
tube oil paint), stiff bristle brush, paper or fabric to until all wires are coiled.
|
||
be stenciled
|
||
1. To make the stencil more durable, give the card-
|
||
board three coats of shellac before using. Or
|
||
hoW-to tIP for WIre craftS
|
||
make your own stencil paper by dipping bond
|
||
paper in melted paraffin several times. • Telephone wire comes in many colors. By
|
||
stripping off the outer plastic covering,
|
||
2. Trace a design on the cardboard or stencil paper.
|
||
you’ll find a pliable wire rainbow inside for
|
||
Cut it out with a sharp knife or scissors.
|
||
your projects.
|
||
2– 16 Crafts
|
||
|
||
--- PAGE 41 ---
|
||
traSh bag aPron bead craft flag
|
||
This is one of those “Why-didn’t-I-think-of-that?” Plastic beads of all kinds have been used in Cub
|
||
crafts. Any time boys are working with messy materi- Scout crafts for years. Many patterns for bead ani-
|
||
als, they can keep their uniforms clean with this easy mals and various shapes can be found commercially
|
||
apron and still have fun. Use heavy-duty trash bags, and on the Internet. Boys can wear this flag pin with
|
||
and you can reuse the aprons. pride.
|
||
Materials: trash bag, scissors
|
||
1. Fold the trash bag in half.
|
||
2. Cut a J shape from the closed end of the bag with
|
||
the approximate dimensions shown.
|
||
3. Make two more cuts in the bag as shown, cutting
|
||
from the bottom to make apron ties, and cutting
|
||
around the J shape for the arms.
|
||
4. Wrap around the Cub Scout to help protect him
|
||
from those messy, but fun, projects!
|
||
Closed edge
|
||
Materials: 11 no. 2 safety pins, one gold chenille
|
||
stem, 27 blue 3-mm “e” beads, 34 white 3-mm “e”
|
||
beads, 29 red 3-mm “e” beads
|
||
1. Open 10 safety pins and place the beads on them
|
||
in the order shown. Close each pin once the
|
||
Open edge
|
||
beads are in place.
|
||
2. Put the chenille stem through the end loop of the
|
||
remaining safety pin. Fold it in half and twist the
|
||
tip to lock in place.
|
||
3. Feed the end loop of the beaded safety pins onto
|
||
the chenille stem in the order shown. Make sure
|
||
that the pins are all facing the same direction.
|
||
4. Feed the other end of the chenille stem through
|
||
the top loop of the single pin as shown, and twist
|
||
to lock in place. Pin your bead flag to your shirt
|
||
and wear it with pride.
|
||
R = red bead; B = blue bead; W = white bead
|
||
Pin Pin Pin Pin Pin Pin Pin Pin Pin Pin
|
||
1 2 3 4 5 6 7 8 9 10
|
||
B B B B B B B R R R
|
||
B W B W B W B W W W
|
||
B B W B W B B R R R
|
||
B W B W B W B W W W
|
||
B B B B B B B R R R
|
||
W W W W W W W W W W
|
||
R R R R R R R R R R
|
||
W W W W W W W W W W
|
||
R R R R R R R R R R
|
||
Crafts 2–17
|
||
dloF
|
||
Beads
|
||
Chenille
|
||
stem
|
||
4˝
|
||
Cut
|
||
6˝
|
||
2˝
|
||
Cut
|
||
4˝
|
||
Cut
|
||
|
||
--- PAGE 42 ---
|
||
StaIned “glaSS” Sun catcher 6. To assemble the arms, hang the S hook on the
|
||
ceiling attachment from which the mobile will
|
||
Materials: clear plastic lid and length of ribbon
|
||
be hung. Hang arm B on the S hook. Then hang
|
||
for each boy, black permanent marker, colored per-
|
||
arms C on the ends of B. Hold the C arms steady
|
||
manent markers
|
||
while hanging arms D as shown.
|
||
1. Clean and dry the plastic lid.
|
||
7. Tie loops of thread or fishing line to the objects to
|
||
2. Outline the desired drawing on the lid with the be hung from the mobile. Make the loops various
|
||
black marker. lengths, from 2 to 6 inches to give an interesting
|
||
3. On the opposite side, color with colored markers. effect.
|
||
4. Punch a hole in the top and attach the ribbon as 8. Hook the loops on the arm ends, one at a time.
|
||
a hanger. Hang about the same weight on each end so the
|
||
arm will balance.
|
||
mobIleS
|
||
StraW WeavIng
|
||
A mobile is a sculpture that moves. They are often
|
||
made of balanced parts, wires, and cords connected Use straw weaving to make neckerchief slides,
|
||
such they move in the slightest breeze. belts, or shoulder sashes, depending on the amount
|
||
of yarn used. Sucking the yarn through the straw will
|
||
Cutout objects to hang on the mobile can fit the
|
||
be the boys’ favorite part, especially if you use clear
|
||
theme of the month, or use keepsakes, toy cars, table
|
||
plastic straws.
|
||
favors, driftwood, fishing lures, sports emblems,
|
||
badges, or other items.
|
||
Tape
|
||
A
|
||
B
|
||
C
|
||
D
|
||
Yarn ball
|
||
Materials: three wire coat hangers; cutouts
|
||
(metal, cardboard, foil, wood, plastic) or other
|
||
objects to be hung on the mobile; carpet thread,
|
||
strong string, or fishing line; pliers; yardstick
|
||
1. Open the coat hangers with pliers. Cut off the
|
||
hook part of one hanger and use the pliers to Materials: Plastic straws; pieces of yarn, 1 yard
|
||
form an S-shaped hanger (A). Boys will need long; small pieces of tape; ball of yarn about 6 yards
|
||
adult help for this step. long
|
||
2. Straighten all the coat hangers and cut a 36-inch 1. Tie the ends of five pieces of 1-yard-long yarn
|
||
length of wire from each. together in a knot.
|
||
3. Make arm B from one 36-inch length. Bend it in 2. Put the other end of each piece of yarn through
|
||
the middle as shown, and curve the ends up. To a straw by inserting it into the straw and sucking
|
||
get both sides even, draw an outline of one bent gently. The yarn will slide through. Fold 1⁄ inch
|
||
2
|
||
side on a sheet of paper and use it as a pattern for of yarn over the end of the straw and tape it to
|
||
the other side. hold.
|
||
4. Cut a second length of wire into equal pieces and 3. Hold the straws in one hand as shown, with the
|
||
make arms C. end of the yarn ball tied to the straw on the out-
|
||
5. Cut a third length of wire into four equal parts side edge.
|
||
and form arms D.
|
||
2– 18 Crafts
|
||
|
||
--- PAGE 43 ---
|
||
4. Weave the ball of yarn back and forth through the
|
||
A
|
||
straws. When you reach the edge, wrap the yarn
|
||
Fold
|
||
around the last straw and weave back the other
|
||
direction. Repeat until the weaving is as long
|
||
as you wish. (You can make longer weavings by C C
|
||
tying on additional yarn.)
|
||
5. To finish, tie off the weaving yarn to the last
|
||
straw. Slide the weaving onto the yarn below the
|
||
straws. Cut the yarn and tie the ends in a knot.
|
||
1 2
|
||
SummertIme craftS
|
||
5
|
||
Summertime is fun time, and these cool summer
|
||
C 6
|
||
crafts will add just the right cool touch. C
|
||
7
|
||
Visor
|
||
B Fold
|
||
Slit for elastic or glasses yarn through the plastic holder rings and tying
|
||
the ends together so that the open rings are
|
||
linked.
|
||
2. Fold pieces A and B in half along the dotted lines
|
||
as shown and loop yarn through both plastic
|
||
rings and tie to the bag at the points indicated by
|
||
the lines.
|
||
3. Fold up the sides to make a basket shape, tying
|
||
rings 2 and 3 into ring 6 at the four points C of
|
||
the diagram, as well as rings 4 and 7 and rings 1
|
||
and 5.
|
||
4. Tie all four corners of the bag together, looping
|
||
the yarn through the plastic rings and tying the
|
||
Materials: heavy craft foam or cardstock, scissors
|
||
ends together with either a square knot or an
|
||
Enlarge the visor pattern as needed and cut out of overhand knot. Ties should be on the outside of
|
||
craft foam or heavy cardstock. Decorate as desired. the bag.
|
||
Make small slits as marked. For regular visors, insert 5. Decorate as desired, such as by attaching an art
|
||
narrow elastic through the slits and tie the ends foam cutout of a yellow sun wearing orange sun-
|
||
together. Boys with glasses can slide the visor direct- glasses.
|
||
ly onto the arms of the glasses.
|
||
Cup Holder
|
||
Beach Bag
|
||
Materials: art foam, low-temperature glue gun
|
||
Materials: 15 plastic six-pack holders, 4-inch
|
||
1. Cut a 4-by-10-inch piece of art foam. Roll in a cyl-
|
||
pieces of yarn
|
||
inder shape, overlapping the edges 1⁄ inch. Glue
|
||
2
|
||
1. Lay out the plastic six-pack holders as shown. together using a low-temperature glue gun.
|
||
The three six-pack holders in the center will
|
||
2. Place the end of the cylinder you just made on
|
||
make the bottom of the bag. The three holders
|
||
the art foam and draw around it. Cut out the
|
||
above and below the center will make two sides,
|
||
circle and glue to the bottom of the cylinder.
|
||
and the two holders to the right and left of the
|
||
3. Decorate as desired. (Decorate with the same
|
||
center will make two other sides. Attach yarn
|
||
art foam cutout you use on your beach bag for a
|
||
pieces as shown by the solid lines, looping the
|
||
matching pair.)
|
||
Crafts 2–19
|
||
|
||
--- PAGE 44 ---
|
||
Clay Crafts and Modeling modelIng “clay” recIPeS
|
||
Salt/Cornstarch Clay
|
||
It’s a thrilling experience for young or old to twist
|
||
and mold a pliable mass into a useful and decorative
|
||
Ingredients: 2 c. salt, 2⁄ c. water, 1 c. cornstarch,
|
||
3
|
||
object. Modeling with clay or other materials gives
|
||
1⁄ c. water
|
||
2
|
||
Cub Scouts a chance to develop self-expression in
|
||
three dimensions. They become aware of symmetry, Mix the table salt with the water in a saucepan.
|
||
texture, curve, and line; they develop a sense of Simmer over medium heat, stirring constantly until
|
||
form and increase their ability to shape and reshape the mixture is well-heated (3 to 4 minutes). Remove
|
||
objects by working with modeling clay. from the heat. Mix the cornstarch with the 1⁄ 2 C. cold
|
||
water and add. This will make a thick, stiff dough.
|
||
The modeling “clay” recipes included here have
|
||
been used successfully by leaders around the country
|
||
Salt/Flour Clay
|
||
and can be used to make bowls, vases, ornaments,
|
||
animals, figures, candleholders, paperweights, door- Ingredients: 1⁄ c. salt, 1 c. flour, water
|
||
2
|
||
stops, napkin rings, and many other useful items.
|
||
Combine the salt and flour. Add water, a little at a
|
||
You’ll find most of the ingredients for these recipes
|
||
time, and with your hands, mix and knead until it is
|
||
in the kitchen. You can obtain sawdust from any saw-
|
||
a stiff dough. (By adding 1⁄ C. water, you can make a
|
||
mill or woodworking shop. 3
|
||
soft clay that is good for making a relief map.)
|
||
Basic Clay
|
||
hoW-to tIPS for modelIng
|
||
Ingredients:
|
||
• When making ornaments or beads, be sure 1 c. flour 1⁄ c. salt
|
||
2
|
||
to make a hole in the object before it dries 2 t. cream of tartar 1 c. water
|
||
or is baked so that a hanger can be added. 2 t. vegetable oil 8 drops food coloring
|
||
• If the clay begins to dry and crack as you are
|
||
Mix the flour, salt, and cream of tartar and set
|
||
working with it, try wetting the cracks with
|
||
aside. In a saucepan, bring to a boil the water, vegeta-
|
||
a finger or sponge and rubbing them away
|
||
ble oil, and food coloring. Remove from the heat and
|
||
as they appear.
|
||
add the dry ingredients. Stir until well-mixed. Let
|
||
• Unless a recipe calls for baking, molded cool and knead a bit to stretch. Stored in an airtight
|
||
objects should be allowed to air-dry thor- container, this clay will keep for months.
|
||
oughly. Drying can be hastened by punch-
|
||
ing tiny pinholes in the object. Sawdust Clay
|
||
• Leftover modeling clay can be stored in a
|
||
Ingredients: 4 c. clean, sifted sawdust; 1 c. wall-
|
||
plastic bag in the refrigerator for later use.
|
||
paper paste; 2 c. water
|
||
Don’t store for extended periods unless
|
||
specified. Mix all ingredients thoroughly to the consistency
|
||
• Make a “tool” out of a 1⁄-inch dowel or
|
||
of modeling clay. Add 1⁄
|
||
2
|
||
C. plaster to the basic recipe
|
||
4
|
||
for added weight to make doorstops or paperweights.
|
||
orange stick cut about 6 inches long and
|
||
sharpened like a pencil. Note: This mixture must be used right away.
|
||
• Mixing regular clay with glycerin and then
|
||
Sawdust/Flour Clay
|
||
adding petroleum jelly can make perma-
|
||
nently elastic clay. The proportion of clay Ingredients: 1 c. flour, 2 c. sawdust, 1 t. salt,
|
||
to glycerin and jelly varies according to the water
|
||
desired consistency. For a start, try eight
|
||
Mix the flour, sawdust, and salt together. Add
|
||
parts clay to one part glycerin to one part
|
||
water until the dough is thick and pliable.
|
||
petroleum jelly. Add more glycerin and
|
||
petroleum jelly as needed.
|
||
• Powdered alum will keep homemade clays
|
||
from getting moldy. Add a tablespoon or
|
||
two to your dough.
|
||
2– 20 Crafts
|
||
|
||
--- PAGE 45 ---
|
||
Sawdust/Cornstarch Clay
|
||
Ingredients: 3 t. cornstarch, 1 c. cold water, 1 to
|
||
2 c. sawdust
|
||
Slowly add the cornstarch to the water. Cook the
|
||
mixture in a double boiler until thickened. Allow to
|
||
cool, and then empty into a large bowl. Add the saw-
|
||
dust, a little at a time, and knead it thoroughly until
|
||
you get pliable dough that is thick enough to handle
|
||
without cracking apart.
|
||
Cornstarch/Baking Soda Clay
|
||
3. Wrap the clay twist around the foil-covered tube,
|
||
dab the ends of the twisted ring with water, and
|
||
Ingredients: 1 c. cornstarch, 2 c. baking soda,
|
||
press to seal.
|
||
11⁄ c. water
|
||
4
|
||
4. Bake or let air-dry, depending on the type of clay
|
||
Mix the cornstarch and baking soda. Add the
|
||
used.
|
||
water and mix. Bring to a boil over medium heat, stir-
|
||
5. When dry, slip the rings off the tube. Give napkin
|
||
ring constantly. This will thicken to the consistency
|
||
rings a coat of clear shellac or varnish, or paint a
|
||
of mashed potatoes. Store in the refrigerator. Note:
|
||
bright color.
|
||
This clay dries white.
|
||
buSy handS keePSake
|
||
Bread Modeling Clay
|
||
This easy project is best for younger boys.
|
||
Ingredients: crusts from several slices of white
|
||
bread, white glue, lemon juice Materials: 2-pound coffee can lid for each boy,
|
||
modeling clay, paint
|
||
Break up the bread crusts into small pieces and
|
||
mix with white glue. Add a few drops of lemon juice. 1. Smooth out a lump of clay onto the coffee can
|
||
Mix until it is the consistency of clay. lid.
|
||
2. Boys press their hand into the clay, leaving a dis-
|
||
Baker’s Clay tinct impression.
|
||
Ingredients: 4 c. flour, 1 c. salt, 11⁄ c. water 3. Let dry. Paint or decorate as desired, including
|
||
2
|
||
the date made and name of the boy.
|
||
Use your fingers to mix the flour, salt, and water
|
||
together in a big bowl. If the clay feels too stiff, add
|
||
clay menorah
|
||
a little more water. Knead for 5 minutes. This recipe
|
||
should not be doubled or halved. After objects are Materials: Salt/flour clay, alum, candles, acrylic-
|
||
molded, bake them on a cookie sheet in a 350-degree type paint
|
||
oven for 1 hour. Test for doneness with a toothpick. 1. Make the salt/flour clay above, adding a teaspoon
|
||
of alum to prevent the clay from getting moldy.
|
||
Peanut Butter Clay Mold into a base 9 inches long, 2 inches wide,
|
||
and 2 inches high.
|
||
Ingredients: 11⁄ c. peanut butter, 11⁄ c. powdered
|
||
2 2
|
||
milk, 3⁄ c. honey 2. Coat the ends of nine candles (one larger than the
|
||
4
|
||
other eight) lightly with vegetable oil. Insert the
|
||
Mix all ingredients together to the desired consis-
|
||
largest candle into the center of the base; then
|
||
tency.
|
||
insert the other eight—four on each side of the
|
||
center candle, an equal distance apart. Insert the
|
||
tWISted naPkIn rIngS
|
||
candles deep enough so they can stand on their
|
||
own.
|
||
Materials: cardboard roll, aluminum foil, model-
|
||
ing clay, water, shellac or varnish, paint 3. Let dry overnight. Remove the candles and con-
|
||
tinue to air-dry.
|
||
1. Cover a cardboard roll with foil.
|
||
4. Once the clay is dry, paint and decorate the clay
|
||
2. Roll pieces of modeling clay into ropes, each
|
||
base with acrylic-type paint.
|
||
about 1⁄ inch thick and 12 inches long. Fold each
|
||
4
|
||
rope in half and twist as shown.
|
||
Crafts 2–21
|
||
|
||
--- PAGE 46 ---
|
||
ornamentS 1. Roll clay into a solid ball about 11⁄ inches in
|
||
2
|
||
diameter.
|
||
Materials:
|
||
2. Place the ball in your palm and slowly push your
|
||
rolling pin modeling clay
|
||
thumb into the center to within 1⁄ inch from the
|
||
Waxed paper cookie cutters 4
|
||
bottom while rotating the clay ball.
|
||
toothpick Paint
|
||
Shellac ribbon or string 3. Then with both thumbs in the center hole and
|
||
your fingers on the outside of the pot, hold the
|
||
1. With a rolling pin, roll out modeling clay flat
|
||
pot bottom away from you and press the sides
|
||
between two pieces of waxed paper.
|
||
out, revolving the pot in a slow circle.
|
||
2. Use cookie cutters to cut out stars, bells, or other
|
||
4. When the sides have been pressed to about 3⁄
|
||
shapes. 8
|
||
inch in thickness, place the pot on a piece of
|
||
3. Use a toothpick to make a hole in the top of each
|
||
waxed paper on a table. Work around the edge in
|
||
ornament for a hanger.
|
||
a pinching motion with the thumbs and fingers
|
||
4. Let the ornaments dry or bake, depending on the until the sides of the pot are smooth and about 1⁄
|
||
4
|
||
clay recipe used. Paint with tempera and add a inch thick. Be careful not to strain the pot by forc-
|
||
topcoat of shellac. ing or pinching too near the bottom.
|
||
5. Tie ribbon or string through the hole for hanging. 5. Work from the bottom up, keeping the top edges
|
||
thick until the very last.
|
||
magnetS
|
||
6. When the bowl is as even and round as possible,
|
||
you can vary the shape by pushing the edges
|
||
Materials: modeling clay, paint, craft magnets,
|
||
inward or outward.
|
||
glue
|
||
7. Bake on a cookie sheet in a 350-degree oven for
|
||
1. Mold modeling clay into desired shapes—ani-
|
||
about an hour.
|
||
mals, flowers, etc. Make the backside as flat as
|
||
possible. 8. When the pot has cooled, paint with the designs
|
||
of your choice.
|
||
2. Let dry. Paint as desired.
|
||
3. Glue a craft magnet on the back—and stick them
|
||
clay alIenS
|
||
to your refrigerator!
|
||
Put the boys’ imaginations to work creating a
|
||
PInch Pot friend from another planet. Anything goes for an
|
||
extraterrestrial! Once the boys make their alien pal,
|
||
Use the recipe
|
||
they can pick a name and introduce their new friend
|
||
for baker’s clay
|
||
to the rest of the den.
|
||
above for this
|
||
small pot. Materials: any type of clay recipe above; mis-
|
||
cellaneous craft items and other small materials—
|
||
beads, sequins, wiggle eyes, chenille stems, washers,
|
||
small screws, wire, etc. each boy will need a clay
|
||
working tool made out of a 1⁄-inch dowel cut about 6
|
||
4
|
||
inches long and sharpened like a pencil.
|
||
Make 1-inch balls out of different colors of clay.
|
||
Each alien requires at least two or three balls of clay.
|
||
Fill egg cartons with different craft materials. Boys
|
||
pick assorted colors from the clay balls, take a tool,
|
||
and get to work.
|
||
2– 22 Crafts
|
||
|
||
--- PAGE 47 ---
|
||
Candle Making dIPPed candleS
|
||
In colonial times, every household made a sup-
|
||
The first candles were probably made from dried ply of candles in autumn. Candle rods with rows of
|
||
rushes soaked in grease. The Romans used candles wicks were repeatedly dipped into big iron kettles of
|
||
made out of beeswax. Today, you and your boys can melted tallow. Candle dipping is still a tradition in
|
||
make beautiful and useful gifts from inexpensive some towns and villages in Switzerland, where the
|
||
materials. public can make candles during a candle dipping
|
||
festival at the end of the year.
|
||
Safety fIrSt
|
||
Melted wax is hot. Follow these rules so that you
|
||
and your Cub Scouts will have a safe craft experi-
|
||
ence.
|
||
• Never leave children alone with melting or melted
|
||
wax. Remember: Wax doesn’t boil or steam, so
|
||
boys probably won’t realize how hot it is.
|
||
• Never leave melting or melted wax alone.
|
||
• Use a thermometer. Wax has a flash point of 375
|
||
degrees Fahrenheit. There is no need to heat wax
|
||
above 200 degrees for any Cub Scout project.
|
||
• Don’t let wax have direct contact with a flame.
|
||
If an accident occurs, treat it as a grease fire. DO
|
||
NOT use water. Smother with baking soda or a pan
|
||
lid, or use a dry chemical fire extinguisher.
|
||
• Always use a water bath method to melt wax; that
|
||
is, use a double boiler or use an old pot filled with
|
||
water and brought to a boil, with a second pot or
|
||
Materials:
|
||
a small coffee can in or over the water in which to
|
||
Wick or thick cotton string in 8- to 10-inch
|
||
melt the wax. DO NOT use a microwave. The wax
|
||
lengths to make a 6-inch candle
|
||
can splatter, and it will discolor.
|
||
Paraffin or candle wax
|
||
• Use pot holders or pliers when handling hot pots
|
||
double boiler or large pot with clean empty
|
||
or cans.
|
||
coffee can
|
||
• If wax gets on your skin, run it under cold water long-handled wooden spoon
|
||
immediately—then peel off the wax. Second coffee can filled with cold water
|
||
• Don’t pour leftover wax down the drain. It will chopsticks, 6-inch lengths of doweling, or
|
||
block the drain and require a plumber. unsharpened pencils for dipping sticks
|
||
drying rack (a clothes drying rack, a narrow
|
||
cardboard box, two chairs back to back)
|
||
hoW-to tIPS for Wax ProJectS 1. Heat water in the bottom of the double boiler. If
|
||
you are using a coffee can, place the can in the
|
||
• Always melt wax in a container over a pot
|
||
heated water.
|
||
of hot water, such as a double boiler.
|
||
2. Break the paraffin into pieces and place it in the
|
||
• “Prime” the wick by immersing it in melted
|
||
top of the double boiler over the water. Stir until
|
||
wax for 2 to 3 minutes. Cool slightly and
|
||
the wax is melted and it reaches a temperature of
|
||
then pull it straight and lay it flat to dry.
|
||
160 degrees Fahrenheit.
|
||
• Use crayon pieces or commercial dies to
|
||
3. As it melts, you can add crayon or candle dye for
|
||
color wax. Water-based dyes and paints will
|
||
color. Stir gently to distribute the color evenly.
|
||
not work.
|
||
4. Remove the upper pan of wax from the water and
|
||
• If you want to add scent to your candles,
|
||
place it on a flat surface. Boys tie a wick onto a
|
||
use commercial scents or oils only. Water-
|
||
dipping stick and dip it into the wax. Then lift
|
||
based scents will not work.
|
||
straight up, holding it for a moment to allow any
|
||
large wax drips to fall.
|
||
Crafts 2–23
|
||
|
||
--- PAGE 48 ---
|
||
5. Dip the candle in and out of the cold water and 6. Pour water from the melted ice out of the milk
|
||
dry with a cloth. Hang on the drying rack to dry carton. Then tear and peel off the milk carton to
|
||
completely between dips. expose the square candle. (Use two den meet-
|
||
6. Repeat the process until the candle is the desired ings, if necessary: one to pour the wax and one
|
||
thickness. (You can expect about 25 dips for a to remove from the mold.)
|
||
candle 1⁄ inch in diameter.)
|
||
2
|
||
Sand candleS
|
||
molded candleS
|
||
This candle craft takes a little more work and
|
||
You can buy Pour mold a little less than full so requires a lot of adult help, but the finished product
|
||
that candle can be easily removed.
|
||
many candle molds is worth the effort.
|
||
at hobby and craft Materials:
|
||
stores. They are easy Sand—natural or colored
|
||
to use and come container to hold wet sand
|
||
with instructions. Water
|
||
Or, make homemade Jar or bottle (It needs to have fairly straight
|
||
molds from milk outward sloping sides at the top so it can be
|
||
containers, muffin removed from the sand without having the
|
||
tins, or boxes from Make wick hole sides cave in.)
|
||
bar soap. If using a with hot ice pick. Wicking or cotton twine
|
||
homemade mold, double boiler
|
||
you can support the Wax (paraffin)
|
||
wick by tying it to a Stearine (to harden the wax)
|
||
pencil and lying it Wick tabs (available at craft stores)
|
||
across the top of the Pencil
|
||
Stiffen wick by dipping in
|
||
mold. hot wax and then cooling.
|
||
1. Put sand in the container and add enough water
|
||
Poke stiff wick into hole.
|
||
so when mixed it is moist and packs well.
|
||
cruShed Ice candle
|
||
2. To make the mold, push the jar or bottle into the
|
||
This is a candle within a candle. The taper wet sand. Then remove it carefully to complete
|
||
includes the wick, and the crushed ice makes a lacy the mold.
|
||
decorative candle.
|
||
3. Attach a wick tab to one end of the wick. Tie the
|
||
Materials: other end of the wick to the pencil and suspend
|
||
double boiler over the cavity of the mold with the wick tab
|
||
empty clean pint milk carton touching the sand. Make sure that the wick is not
|
||
one 4-inch white taper candle too long and hangs straight by wrapping excess
|
||
Ice (about 1-inch cubes) around the pencil.
|
||
candle wax or paraffin 4. Heat water in the bottom of the double boiler. If
|
||
crayon pieces or wax dye for color you are using a coffee can, place the can in the
|
||
1. Heat water in the bottom of the double boiler. If heated water.
|
||
you are using a coffee can, place the can in the 5. Break paraffin into pieces and place in the top
|
||
heated water. of the double boiler over the water. Stir until the
|
||
2. Break paraffin into pieces and place in the top wax is melted and it reaches a temperature of 160
|
||
of the double boiler over the water. Stir until the degrees Fahrenheit. Add 3 T. stearine for each
|
||
wax is melted and it reaches a temperature of 160 pound of wax. As the wax melts, add crayon or
|
||
degrees Fahrenheit. candle dye or scents, as desired. Stir gently to
|
||
distribute evenly.
|
||
3. As it melts, you can add crayon or candle dye for
|
||
color. Stir gently to distribute the color evenly. 6. Carefully pour the melted wax into the mold
|
||
cavity. (The sand may sizzle a bit, but this is nor-
|
||
4. Spread newspaper on the work surface. Place the
|
||
mal.) Allow the wax to cool completely.
|
||
taper in the center of the milk carton. Surround
|
||
the taper with crushed ice to hold it in place. 7. Scoop out the sand from around the candle to
|
||
remove the candle. Brush off loose sand. Spray
|
||
5. Carefully pour the melted wax up to the top of the
|
||
with clear acrylic for a nice finish.
|
||
taper, making sure that the candlewick extends
|
||
beyond the melted wax. Leave overnight.
|
||
2– 24 Crafts
|
||
|
||
--- PAGE 49 ---
|
||
Plaster Crafts PourIng PlaSter
|
||
1. To fill small molds, pour plaster immediately
|
||
and work into crevices with a toothpick.
|
||
Cub Scouts, families, and leaders will enjoy learn-
|
||
2. Fill larger molds about three-quarters full; flex
|
||
ing to cast and finish plaster projects. Use plaster to
|
||
the mold with your hands or gently tap against a
|
||
make casts of animal footprints and leaves, picture
|
||
table. You may add a layer of gauze to strengthen
|
||
frames, neckerchief slides, plaques, and other items.
|
||
the cast at this point. Fill to the top and tap again
|
||
Casting plaster can be found at most craft or hobby to allow any air bubbles to rise to the surface.
|
||
stores. Plaster of paris is the most common type, but
|
||
3. If the cast needs a ring, such as for a plaque or
|
||
casting plaster is not expensive and is more durable.
|
||
neckerchief slide, insert it now.
|
||
4. Allow the plaster to set before removing it from
|
||
moldS for PlaSter
|
||
the mold—15 to 30 minutes for small molds and
|
||
Commercial molds are available in many different 1 to 2 hours for larger molds.
|
||
sizes and shapes. Plastic candy molds are great for 5. Remove the cast from the mold. It should slip out
|
||
neckerchief slides. Plastic or waxed tubs and cartons easily if the mold was properly prepared.
|
||
make excellent molds for candleholders. Picture
|
||
6. Scrape or sand any rough edges.
|
||
frames and plaques can also be molded in plastic
|
||
7. Allow the cast to dry completely (a day or more)
|
||
or waxed cartons. Scoops from dry beverage mixes
|
||
before painting.
|
||
make excellent molds for circular objects such as
|
||
happy faces or bicycle wheels.
|
||
PaIntIng PlaSter
|
||
Make a Mold
|
||
Most paint will soak into plaster, so it is best to
|
||
You can make your own mold by using a commer- seal the cast with a commercial spray sealer, gesso, or
|
||
cial latex molding compound available from most thinned latex wall paint. After the sealer is dry, apply
|
||
hobby and craft stores. Almost any nonporous object any type of paint—tempera, acrylic, oil, or enamel.
|
||
can be covered with several coats of latex, which will Tempera will leave a dull finish unless you give it a
|
||
produce a mold. final coat of shellac or varnish.
|
||
Preparing the Mold PlaSter WhIttlIng
|
||
Molds need to be prepared to prevent sticking and Plaster is an excellent medium to use when teach-
|
||
to help the cast slip out easily. Use vegetable oil for ing boys to whittle. Once they have mastered the
|
||
all molds except latex. Use a soap solution of 1 C. technique, they can go on to wood.
|
||
water to 1 T. liquid detergent for latex molds. Coat
|
||
Make small plaster blocks and let them harden.
|
||
the inside of the mold lightly, as excess oil or soap
|
||
When ready to whittle, soak the plaster in water for 5
|
||
solution will cause defects in the cast. You don’t
|
||
to 10 minutes. The plaster is porous and will absorb
|
||
need to prepare wax carton molds, as the wax already
|
||
the water, making it easier to work.
|
||
serves that purpose.
|
||
PlaSter PaPerWeIghtS
|
||
mIxIng PlaSter
|
||
1. Fill the mold with water to determine the amount Use your imagination to
|
||
of plaster required. Pour this water into a dispos- create novel paperweights
|
||
able mixing container, such as a paper cup or that will make great gifts.
|
||
small aluminum pan. Carve blocks of hardened
|
||
plaster or use molds to make
|
||
2. Sprinkle plaster slowly into the water until a
|
||
interesting shapes.
|
||
peak forms above the surface. Allow it to set for
|
||
1 minute. Then, using a wooden or plastic spoon, Materials: mold for paperweight, plaster/water,
|
||
stir gently to prevent air bubbles. The mixture container and spoon for mixing, felt scraps, paint
|
||
should resemble heavy cream.
|
||
1. Use plastic margarine containers as molds for
|
||
3. Don’t mix more plaster than you need. It will larger paperweights and paper cups for smaller
|
||
harden quickly and can’t be reused. ones. Prepare the mold and plaster as described
|
||
4. Discard extra plaster in the disposable container. above.
|
||
Don’t pour it down the sink or dump near shrub- 2. For a turtle paperweight, use a margarine tub for
|
||
bery. It will clog drains and kill some types of the body and old measuring spoons for the head
|
||
shrubbery.
|
||
Crafts 2–25
|
||
|
||
--- PAGE 50 ---
|
||
and feet. When the plaster is set, carve the head 2. Place the leaf, vein side up, in the bottom of the lid.
|
||
and feet into desired shapes and glue to the turtle 3. Pour plaster gently over the leaf, without spilling
|
||
body. over the top.
|
||
3. Glue felt to the bottom of the turtle and paint as 4. If making a hanging, press a hanger into the edge
|
||
desired. of the plaster.
|
||
5. Let set until hard. Remove the cast from the
|
||
PlaSter ScrImShaW
|
||
mold. Remove the leaf. Let it dry thoroughly.
|
||
Sailors and whalers began the art of scrimshaw
|
||
in the 1860s to make the time pass more quickly Plaster Casts of Animal Tracks
|
||
at sea. They would scratch a design in whalebone
|
||
You’ll find the best tracks for casting near streams,
|
||
or polished ivory and
|
||
muddy banks, or beaches.
|
||
then fill in the lines
|
||
with ink. Cub Scouts Materials: Plaster, strip
|
||
can use plaster in place of cardboard 11⁄ inches
|
||
2
|
||
of whalebone to make wide, paper clip, dispos-
|
||
carvings that look like able contain-
|
||
scrimshaw. Wear them er for mixing
|
||
as pendants or use as plaster, dis-
|
||
paperweights. posable plas-
|
||
tic spoon for
|
||
Materials:
|
||
stirring
|
||
Plaster Waxed paper
|
||
dark tempera paint Shellac 1. After you have
|
||
nail or sharp tool thong for pendant found the tracks you
|
||
for scratching want to cast, brush
|
||
away any twigs,
|
||
1. Mix plaster as described above.
|
||
stones, or dirt from
|
||
2. Drop globs of plaster on waxed paper. If neces- around the tracks.
|
||
sary you can flatten with your fingers.
|
||
2. Surround the tracks with the cardboard strip
|
||
3. If you are making a pendant, use the nail or a in the shape of a ring and fasten the ends with
|
||
toothpick to make a hole in the plaster for a the paper clip. Push the cardboard into the mud
|
||
thong. around the tracks.
|
||
4. When the plaster is hard, scratch a design in it 3. Prepare the plaster as described above.
|
||
with the nail or sharp tool.
|
||
4. Pour the plaster slowly from one side to the other
|
||
5. Thin dark tempera and brush one thin coat over over the tracks inside the ring. This way, the plas-
|
||
the plaster. Wipe lightly with a paper towel so ter has time to push the air out, and no bubbles
|
||
that the dark tempera stays in the scratched will be left.
|
||
design but not on the rest of your object. When
|
||
5. After about 15 minutes, the plaster should be
|
||
the paint is dry, apply a shellac finish.
|
||
hard enough for the cast to be removed. While
|
||
6. For a pendant, add a thong or heavy cord to tie the cast is still damp, scratch the date and the
|
||
around neck. type of animal in the plaster. When it is thor-
|
||
oughly dry, remove the cardboard ring.
|
||
PlaSter craftS In nature
|
||
If you will be doing the plaster casting while on
|
||
Plaster crafts can be a great way to keep boys inter- a hike, have each Cub Scout carry a resealable plas-
|
||
ested during a nature hike. By seeking out the mate- tic bag with 1⁄ to 1⁄ C. of dry plaster. When you find
|
||
3 2
|
||
rials and possibilities for casts, they will be paying tracks, boys add a little water from their canteens or
|
||
close attention to what’s going on around them. water bottles slowly and gradually into the plastic
|
||
bag. Close the bag and knead until smooth. Pour into
|
||
Plaster Leaves the ring as described above and dispose of the plastic
|
||
bag properly.
|
||
Materials: Plastic lid, leaf, vegetable oil, plaster
|
||
1. Lightly oil the inside of the lid and the vein side
|
||
of the leaf.
|
||
2– 26 Crafts
|